Meibohm Fine Arts, Inc.

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American History
Locations
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American Illustrators & Artists
Edwin Austin Abbey
W.W. Denslow
Bernard Carl Feldman
Jules Vallée Guérin
William Harring Von Ammon
Rockwell Kent
David Palladini
Norman Rockwell
Eric Sloane
Urquhart David Wilcox
Milo Winter
N.C. Wyeth (See Wyeth Family Below)
Other American Illustrators

Arts & Crafts/Mission
Roycroft Mottos

Chautauqua Lake, NY Area
Chautauqua Region
Chautauqua Maps

Etchings & Engravings
American
British
Hans Figura
Gaston Hoffmann
William Hogarth
Luigi Kasimir
Tanna Hoernes Kasimir
Other Etchings & Engravings

European Illustrators & Artists
Cecil Aldin, R.B.A.
Josef Ferdinand Klemm
Jean Jacques Midderigh
Johanna Bernhardina Midderigh-Bokhorst
Other European Illustrators
Pablo Picasso

Maps
U.S. / N. America-18th C.
U.S. / N. America-19th C.
U.S. / N. America-20th C.
World - 18th C.
World - 19th C.
World - 20th C.

Photochroms
Detroit Photographic Co./Publishing (See also 'Photographers-William Henry Jackson')
-D.P.C. By State
Arizona
Connecticut
Delaware
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Massachusetts
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Washington D.C. Area
-D.P.C. Niagara Falls & Niagara Glen
-D.P.C. Mountain Ranges (& Local Adirondacks)
-D.P.C. Ships
-D.P.C. Universities
Other Photochroms/or photos
William Henry Jackson (See also under 'Photographers')

Photographers, Photos & Prints
Ansel Adams
George Hunter Bartlett
Rudolf Eickemeyer, Jr.
William Henry Jackson (See also under 'Photochroms')

Photos, Photo Prints & Prints-World Locations
Europe
International
United States

Specialty Subjects
1901 Pan American Exposition
Animals/Dogs/Horses Etc.
Christmas
Literary/Fiction/Fantasy/Fairytale
Marine/Maritime/Ships/Boats
People & Mythology
People with Animals
Religious & Inspirational
Sports/Sporting

Vintage Railroad Travel Posters/Prints
American Railroad
British Railroad
Canadian Railroad

Western Art/Native American
Robert Wesley Amick
E.I. Couse
Frederic Remington
Charles M. Russell
Joseph Henry Sharp
Other Western/Native American

World History / Historical
Military / Wars
People / Culture
Places / Locations

Wyeth Family
Andrew Wyeth
Jamie Wyeth
N.C. Wyeth

William Brassey Hole (British, 1846-1917), "If Thou Hadst Known Oh Jerusalem, St. Luke XIX. 42" - 1907 , The sheet size with wide margins is 9-5/8” x 12-5/8”, Plate size is 5” x 6-1/4”, Image size is 3-3/4” x 5-3/4”, Sepia-toned Heliogravure, Antique print after the original painting (1885), Excellent Rare+, Never Framed, Copyright by Franz Hanfstaengl, Munich & New York, F©H, possibly from an illustration for the book “The Life of Jesus of Nazareth” (1906), which features 80 watercolors from the trip he took to the holy land around 1900, 100.00 [E]

William Brassey Hole

(British, 1846-1917)

"If Thou Hadst Known Oh Jerusalem, St. Luke XIX. 42" - 1907

The sheet size with wide margins is 9-5/8” x 12-5/8”, Plate size is 5” x 6-1/4”, Image size is 3-3/4” x 5-3/4”

Sepia-toned Heliogravure

Antique print after the original painting (1885), Excellent Rare+, Never Framed, Copyright by Franz Hanfstaengl, Munich & New York, F©H, possibly from an illustration for the book “The Life of Jesus of Nazareth” (1906), which features 80 watercolors from the trip he took to the holy land around 1900

100.00 [E]
Campbell Art Co. (American Publishers, c.1871-c. late 1930's), Untitled-'North Star' (illegible artist's name, possibly Emlen McConnell [American, 1872-]???) - Circa Early 1900's , Size with backing stock 13.75 x 11, Print size 11 x 7-3/8, Print, Antique Print, Excellent Rare+, Never Framed, 50.00

Campbell Art Co.

(American Publishers, c.1871-c. late 1930's)

Untitled-'North Star' (illegible artist's name, possibly Emlen McConnell [American, 1872-]???) - Circa Early 1900's

Size with backing stock 13.75 x 11, Print size 11 x 7-3/8

Print

Antique Print, Excellent Rare+, Never Framed

50.00
Herbert Gustave Carmichael Schmalz (English, 1856-1935), "The Return From Calvary" - 1906 , Size with margins is 24 x 32, Size with ivory border 19.25 x 26.25, Image size 16 x 23-3/8, Halftone Lithograph, Antique 1906 Print, Excellent Rare+, Never Framed, Published by Louis Wolff & Co. London, W., Hugo Guttmann, New York, Sole Agent in the United States & Canada, 275.00 (Sold)

Herbert Gustave Carmichael Schmalz

(English, 1856-1935)

"The Return From Calvary" - 1906

Size with margins is 24 x 32, Size with ivory border 19.25 x 26.25, Image size 16 x 23-3/8

Halftone Lithograph

Antique 1906 Print, Excellent Rare+, Never Framed, Published by Louis Wolff & Co. London, W., Hugo Guttmann, New York, Sole Agent in the United States & Canada

275.00 (Sold)
George Butler (Unknown, -), "The Shining Pathway" - Circa 1912 , Size with margins is 27-1/8 x 37.25 , Photogravure, Antique Print, Excellent Rare+, Never Framed, Published by Reinthal & Newman, 150.00

George Butler

(Unknown, -)

"The Shining Pathway" - Circa 1912

Size with margins is 27-1/8 x 37.25

Photogravure

Antique Print, Excellent Rare+, Never Framed, Published by Reinthal & Newman

150.00
Leonardo Da Vinci (Italian, 1452-1519), "The Virgen Of The Rocks" - circa 1940-50's , Size with margins 32.5 x 21, Image size 27-7/8 x 18-1/8, Print, Vintage Mid Century Print, Metallic gold ink border, Excellent Rare+, Never Framed, Published by NYGS, Copyright by Soho Gallery Ltd. London, 100.00

Leonardo Da Vinci

(Italian, 1452-1519)

"The Virgen Of The Rocks" - circa 1940-50's

Size with margins 32.5 x 21, Image size 27-7/8 x 18-1/8

Print

Vintage Mid Century Print, Metallic gold ink border, Excellent Rare+, Never Framed, Published by NYGS, Copyright by Soho Gallery Ltd. London

100.00
Briton Riviere (British, 1840-1920), "Daniel's Answer To The King" - circa early 1900's , 5.75 x 8.75, Colored Photogravure, Antique Print, Excellent Rare+, Never Framed, Campbell Art Co., 50.00

Briton Riviere

(British, 1840-1920)

"Daniel's Answer To The King" - circa early 1900's

5.75 x 8.75

Colored Photogravure

Antique Print, Excellent Rare+, Never Framed, Campbell Art Co.

50.00
Campbell Art Co. (American Publishers, c.1871-c. late 1930's), "The Good Shepherd" -after Bernhard Plockhorst (German, 1825-1907) - circa early 1900's , Size with margins 31-1/8 x 23.75, Image size 28 x 21.25, Hand Colored Photogravure, Antique Print, Excellent Rare+, Never Framed, Campbell Prints Division, N.Y., 200.00

Campbell Art Co.

(American Publishers, c.1871-c. late 1930's)

"The Good Shepherd" -after Bernhard Plockhorst (German, 1825-1907) - circa early 1900's

Size with margins 31-1/8 x 23.75, Image size 28 x 21.25

Hand Colored Photogravure

Antique Print, Excellent Rare+, Never Framed, Campbell Prints Division, N.Y.

200.00
Heinrich Hofmann (German, 1824-1911) , "Christ at Thirty-Three" - c1910-30's , Size with margins 27.5 x 21.25, Image size 21.75 x 16-5/8, Lithograph, Vintage Print, Excellent Rare+, Never Framed, Franz Hanfstaengl, Munchen, 100.00

Heinrich Hofmann

(German, 1824-1911)

"Christ at Thirty-Three" - c1910-30's

Size with margins 27.5 x 21.25, Image size 21.75 x 16-5/8

Lithograph

Vintage Print, Excellent Rare+, Never Framed, Franz Hanfstaengl, Munchen

100.00
Gies & Co, Buffalo, NY (American Lithographers, c1871-c1922), "The Illustrated Lords Prayer" - 1871 , Size with margins 20 x 14,Image size 18-3/8 x 12-3/8, Color Lithograph, Antique Litho, VeryGood Rare+, previously framed, slight water damage lower edge in margin & upper right edge, slight foxing, toning from age, few margin repaired tears, wood acid burn on back, all issues not affecting image, Gold metallic ink borders, Beautiful!, Published by S.T. Buck. Milton, P., 100.00 (Sold)

Gies & Co, Buffalo, NY

(American Lithographers, c1871-c1922)

"The Illustrated Lords Prayer" - 1871

Size with margins 20 x 14,Image size 18-3/8 x 12-3/8

Color Lithograph

Antique Litho, VeryGood Rare+, previously framed, slight water damage lower edge in margin & upper right edge, slight foxing, toning from age, few margin repaired tears, wood acid burn on back, all issues not affecting image, Gold metallic ink borders, Beautiful!, Published by S.T. Buck. Milton, P.

100.00 (Sold)
Estella Canziani (British, 1887-1964), "St. Francis" - circa late 1920-30's , Size mounted with margins 22 x 18, Print size 13-7/8 x 9.75, Print, Vintage Print, Excellent Rare+, Never Framed, W.J. Stacey, London, 75.00

Estella Canziani

(British, 1887-1964)

"St. Francis" - circa late 1920-30's

Size mounted with margins 22 x 18, Print size 13-7/8 x 9.75

Print

Vintage Print, Excellent Rare+, Never Framed, W.J. Stacey, London

75.00
R. Stanl (Unknown, -), "The Lord's Supper" - circa Turn-of-the-20th-Century , Size with margins 17.5 x 31, Image size 16 x 29-7/8, Chromolithograph , Antique Print, Excellent Rare+, Never Framed, Published by Morris & Bendien Inc., New York, (Sold)

R. Stanl

(Unknown, -)

"The Lord's Supper" - circa Turn-of-the-20th-Century

Size with margins 17.5 x 31, Image size 16 x 29-7/8

Chromolithograph

Antique Print, Excellent Rare+, Never Framed, Published by Morris & Bendien Inc., New York

(Sold)
Louis Jambor (Hungarian-American, 1884-1955), "The Lord's Supper" - 1948 , Size with margins 26 x 19-1/8, Image size 17 x 12.5, Print, Vintage Mid Century Print, Fair Rare+, Some creasing in margins and image area side to side near top but no cracking of ink, Never Framed, Copyright 1948 Augsburg Publishing House, 50.00

Louis Jambor

(Hungarian-American, 1884-1955)

"The Lord's Supper" - 1948

Size with margins 26 x 19-1/8, Image size 17 x 12.5

Print

Vintage Mid Century Print, Fair Rare+, Some creasing in margins and image area side to side near top but no cracking of ink, Never Framed, Copyright 1948 Augsburg Publishing House

50.00
Roberto Ferruzzi (Italian, 1854-1934), "Madonnina" (or the Madonna of the Streets) - c1950-60's , Size with margins 29-1/8 x 23-1/8, Image size 25-5/8 x 19.75, Lithograph, Vintage Mid Century Print, Excellent Rare+, Never Framed, Published by Fratelli Alinari Firenze, 150.00

Roberto Ferruzzi

(Italian, 1854-1934)

"Madonnina" (or the Madonna of the Streets) - c1950-60's

Size with margins 29-1/8 x 23-1/8, Image size 25-5/8 x 19.75

Lithograph

Vintage Mid Century Print, Excellent Rare+, Never Framed, Published by Fratelli Alinari Firenze

150.00
Muller, Luchsinger & Co., N.Y. (American Art Publishers, c1886-c1930), "Gethsemane" (AKA "Christ sur la Montagne des Oliviers" [Christ on the Mount of the Olives]) - 1917 , 30.5 x 22, Chromolithograph , Antique Chromolitho, Excellent Rare+, Slight scuffing with a few small scratches & one small 3/4" edge tear lower left repaired from behind with archival tape and only enters image area 3/8" and is not too noticeable, Very slight creasing, Never Framed, 400.00

Muller, Luchsinger & Co., N.Y.

(American Art Publishers, c1886-c1930)

"Gethsemane" (AKA "Christ sur la Montagne des Oliviers" [Christ on the Mount of the Olives]) - 1917

30.5 x 22

Chromolithograph

Antique Chromolitho, Excellent Rare+, Slight scuffing with a few small scratches & one small 3/4" edge tear lower left repaired from behind with archival tape and only enters image area 3/8" and is not too noticeable, Very slight creasing, Never Framed

400.00
Daniel Huntington (American, 1816-1906), “Mercy’s Dream” - circa 1864 , The size with margins is 28-7/16” x 20-7/8”, Image size is 25-3/4” x 18-1/4”, Engraving, Antique & Ultra Rare Mid 19th C. Engraving, VeryGood-Excellent Rare+ condition, Previously framed, Painted by D. Huntington, P.N.A., Engraved by T. Oldham Barlow., 900.00 [Sold, E]

Daniel Huntington

(American, 1816-1906)

“Mercy’s Dream” - circa 1864

The size with margins is 28-7/16” x 20-7/8”, Image size is 25-3/4” x 18-1/4”

Engraving

Antique & Ultra Rare Mid 19th C. Engraving, VeryGood-Excellent Rare+ condition, Previously framed, Painted by D. Huntington, P.N.A., Engraved by T. Oldham Barlow.

900.00 [Sold, E]
Campbell Art Co. (American Publishers, c.1871-c. late 1930's), “Cloister of the Church of St. John’s, Palermo” - Early 1900's , The size of the photo is 20-3/16” x 25-3/16”, Matted size is 26-1/2” x 31”, Visible mat-opening size is 19-7/8” x 24-7/8”, Hand-Colored Photo-mechanical Bromide Print , Antique & Rare large print, Excellent Rare+ condition, matted, previously framed, published by the well known publisher Campbell Art Co., © Campbell Art Co., Elizabeth, N.J., 350.00 [E]

Campbell Art Co.

(American Publishers, c.1871-c. late 1930's)

“Cloister of the Church of St. John’s, Palermo” - Early 1900's

The size of the photo is 20-3/16” x 25-3/16”, Matted size is 26-1/2” x 31”, Visible mat-opening size is 19-7/8” x 24-7/8”

Hand-Colored Photo-mechanical Bromide Print

Antique & Rare large print, Excellent Rare+ condition, matted, previously framed, published by the well known publisher Campbell Art Co., © Campbell Art Co., Elizabeth, N.J.

350.00 [E]
Benjamin Johann Godron (German, 1902-1965 [AKA Johann Benjamin Godron), “Madonna” (AKA “Muttersgotte” [Mother of God]) - 1955 , The size mounted with small margins is 22” x 20-1/4”, Image size is 21-3/16” x 19-3/4”, Halftone Lithograph, Vintage Mid Century Litho ‘Large Version’, VeryGood Rare+ condition, 1955 © by Dr. te Neues + Co. GmbH., Kempen-Niederrhein, 19©55, 150.00 [Sold, E]

Benjamin Johann Godron

(German, 1902-1965 [AKA Johann Benjamin Godron)

“Madonna” (AKA “Muttersgotte” [Mother of God]) - 1955

The size mounted with small margins is 22” x 20-1/4”, Image size is 21-3/16” x 19-3/4”

Halftone Lithograph

Vintage Mid Century Litho ‘Large Version’, VeryGood Rare+ condition, 1955 © by Dr. te Neues + Co. GmbH., Kempen-Niederrhein, 19©55

150.00 [Sold, E]
William Strutt, RBA, RZS (English, 1825-1915), “Peace” (“And a child shall lead them.”) - 1896 , The size with very wide margins is 9” x 11-1/4”, Image size is 3-1/4” x 5-3/8”, Sepia-toned Chine-Collé Heliogravure, Antique Late 19th C. gravure, Excellent Rare+ condition, Never framed, inventory number ‘9388’, Gravure Hanfstaengl, Franz Hanfstaengl, München London & New York, Copyright by Franz Hanfstaengl, Printed in Munich, Copyright 1896 by Fr. Hanfstaengl, 100.00 [E]

William Strutt, RBA, RZS

(English, 1825-1915)

“Peace” (“And a child shall lead them.”) - 1896

The size with very wide margins is 9” x 11-1/4”, Image size is 3-1/4” x 5-3/8”

Sepia-toned Chine-Collé Heliogravure

Antique Late 19th C. gravure, Excellent Rare+ condition, Never framed, inventory number ‘9388’, Gravure Hanfstaengl, Franz Hanfstaengl, München London & New York, Copyright by Franz Hanfstaengl, Printed in Munich, Copyright 1896 by Fr. Hanfstaengl

100.00 [E]
unknown Unknown (American, -), Untitled-'Adoration of the Magi' (Joseph, Mary, Baby Jesus & the Three Wise Men) - Circa 1940’s-60’s , The size with wide margins is 31-15/16” x 25-15/16”, Image size is 27-15/16” x 19-7/8”, Serigraph in a stained-glass style, Vintage mid century serigraph, Excellent Rare+ condition, Never framed, no artist or publisher info, 400.00 [Sold, E]

unknown Unknown

(American, -)

Untitled-'Adoration of the Magi' (Joseph, Mary, Baby Jesus & the Three Wise Men) - Circa 1940’s-60’s

The size with wide margins is 31-15/16” x 25-15/16”, Image size is 27-15/16” x 19-7/8”

Serigraph in a stained-glass style

Vintage mid century serigraph, Excellent Rare+ condition, Never framed, no artist or publisher info

400.00 [Sold, E]
G. A. Radtke & Co., NY (American Publisher, c.1877-c.1895), “The Last Supper” (After da Vinci & G. Folo) - c.1880-1895 , The size with wide margins is 29-15/16” x 39-13/16”, Plate size is 19” x 36-5/8”, Image size is 17” x 35-1/8”, Late 19th C. Antique Restrike Large Format Engraving , Ultra Rare Antique Late 19th Century c.1880-1895 Large Format Restrike Engraving After Leonardo da Vinci and also after Engraver Giovanni Folo's original 1831 Engraving Plate, AKA titled: “Amen Dico Vobis Unus Vestrum me Traditurus Est.”, Excellent Rare+ condition, Never framed, Published by G.A. Radtke & Co. New York, Leonardo da Vinci dipinse, Giovanni Folo incise in Roma, (from left to right): ‘Bartholomæus.’, ‘Jacobus-Minor.’, ‘Andreas.’, ‘Judas.’, ‘Petrus.’, ‘Johannes.’, ‘Christus.’, ‘Thomas.’, ‘Jacobus Major’, ‘Philippus.’, ‘Matthæus.’, ‘Thaddæus.’, and ‘Simon.’. The original title was burnished off the plate for this particular print. , 750.00 [E]

G. A. Radtke & Co., NY

(American Publisher, c.1877-c.1895)

“The Last Supper” (After da Vinci & G. Folo) - c.1880-1895

The size with wide margins is 29-15/16” x 39-13/16”, Plate size is 19” x 36-5/8”, Image size is 17” x 35-1/8”

Late 19th C. Antique Restrike Large Format Engraving

Ultra Rare Antique Late 19th Century c.1880-1895 Large Format Restrike Engraving After Leonardo da Vinci and also after Engraver Giovanni Folo's original 1831 Engraving Plate, AKA titled: “Amen Dico Vobis Unus Vestrum me Traditurus Est.”, Excellent Rare+ condition, Never framed, Published by G.A. Radtke & Co. New York, Leonardo da Vinci dipinse, Giovanni Folo incise in Roma, (from left to right): ‘Bartholomæus.’, ‘Jacobus-Minor.’, ‘Andreas.’, ‘Judas.’, ‘Petrus.’, ‘Johannes.’, ‘Christus.’, ‘Thomas.’, ‘Jacobus Major’, ‘Philippus.’, ‘Matthæus.’, ‘Thaddæus.’, and ‘Simon.’. The original title was burnished off the plate for this particular print.

750.00 [E]
G. A. Radtke & Co., NY (American Publisher, c.1877-c.1895), “The Last Supper” (After da Vinci & G. Folo) - c.1880-1895 , The size with wide margins is 29-15/16” x 39-13/16”, Plate size is 19” x 36-5/8”, Image size is 17” x 35-1/8”, Late 19th C. Antique Restrike Large Format Hand-colored Engraving, Ultra Rare Antique Late 19th Century c.1880-1895 Large Format Restrike Engraving After Leonardo da Vinci and also after Engraver Giovanni Folo's original 1831 Engraving Plate, AKA titled: “Amen Dico Vobis Unus Vestrum me Traditurus Est.”, Excellent Rare+ condition, Never framed, Published by G.A. Radtke & Co. New York, Leonardo da Vinci dipinse, Giovanni Folo incise in Roma, (from left to right): ‘Bartholomæus.’, ‘Jacobus-Minor.’, ‘Andreas.’, ‘Judas.’, ‘Petrus.’, ‘Johannes.’, ‘Christus.’, ‘Thomas.’, ‘Jacobus Major’, ‘Philippus.’, ‘Matthæus.’, ‘Thaddæus.’, and ‘Simon.’. The original title was burnished off the plate for this particular print. , 1000.00 [E]

G. A. Radtke & Co., NY

(American Publisher, c.1877-c.1895)

“The Last Supper” (After da Vinci & G. Folo) - c.1880-1895

The size with wide margins is 29-15/16” x 39-13/16”, Plate size is 19” x 36-5/8”, Image size is 17” x 35-1/8”

Late 19th C. Antique Restrike Large Format Hand-colored Engraving

Ultra Rare Antique Late 19th Century c.1880-1895 Large Format Restrike Engraving After Leonardo da Vinci and also after Engraver Giovanni Folo's original 1831 Engraving Plate, AKA titled: “Amen Dico Vobis Unus Vestrum me Traditurus Est.”, Excellent Rare+ condition, Never framed, Published by G.A. Radtke & Co. New York, Leonardo da Vinci dipinse, Giovanni Folo incise in Roma, (from left to right): ‘Bartholomæus.’, ‘Jacobus-Minor.’, ‘Andreas.’, ‘Judas.’, ‘Petrus.’, ‘Johannes.’, ‘Christus.’, ‘Thomas.’, ‘Jacobus Major’, ‘Philippus.’, ‘Matthæus.’, ‘Thaddæus.’, and ‘Simon.’. The original title was burnished off the plate for this particular print.

1000.00 [E]
Oswald Voelkel (AKA Völkel, German, 1873-1952), “Knock, And It Shall Be Opened Unto You” - Circa Early 1900’s , The size with small margins is 20-7/16” x 15-11/16”, Image size is 20” x 15-3/8”, Chromolithograph , Antique Chromolitho, Excellent Rare+ condition, Never framed, Publisher Egemes (or EGMS), E.G. May Söhne (or Söehne), Frankfurt am Main, Germany (1845-1914), No. 2434 Frappez, Et L’On Vous Ouvrira. * Llmad, Y Se Os Abrirá. * Knock, And It Shall Be Opened Unto You.* Klopfet an, So Wird Euch Aufgethan.* Picchiate, E Saravvi Aperto., Printed in Germany , 250.00 [E]

Oswald Voelkel

(AKA Völkel, German, 1873-1952)

“Knock, And It Shall Be Opened Unto You” - Circa Early 1900’s

The size with small margins is 20-7/16” x 15-11/16”, Image size is 20” x 15-3/8”

Chromolithograph

Antique Chromolitho, Excellent Rare+ condition, Never framed, Publisher Egemes (or EGMS), E.G. May Söhne (or Söehne), Frankfurt am Main, Germany (1845-1914), No. 2434 Frappez, Et L’On Vous Ouvrira. * Llmad, Y Se Os Abrirá. * Knock, And It Shall Be Opened Unto You.* Klopfet an, So Wird Euch Aufgethan.* Picchiate, E Saravvi Aperto., Printed in Germany

250.00 [E]
Albert "Bertel" Thorvaldsen (AKA Thorwaldsen, Danish, 1770-1844), “Kristus” (Danish: “Christ”) - 1907 , The Photo size is 9-3/8” x 7-1/16”, Sepia-toned Bromide? Photograph, Antique photo, Excellent Rare+ condition, Never framed, Atelier S. Almquist, Halsingborg. N:o. 16, Thorwaldsen: “Kristus” , 70.00 [E]

Albert "Bertel" Thorvaldsen

(AKA Thorwaldsen, Danish, 1770-1844)

“Kristus” (Danish: “Christ”) - 1907

The Photo size is 9-3/8” x 7-1/16”

Sepia-toned Bromide? Photograph

Antique photo, Excellent Rare+ condition, Never framed, Atelier S. Almquist, Halsingborg. N:o. 16, Thorwaldsen: “Kristus”

70.00 [E]
Gebhard Fugel (German, 1863-1939), “The Last Supper” (German: “Das Letzte Abendmahl”) - 1943 , The size with wide margins is 14” x 18-7/8”, Image size is 9-5/8” x 16-7/8”, Collotype ‘Fine-grain’ Lithograph, Vintage mid century litho, Excellent Rare+ condition, Never framed, Copyright International Art Publishing Co., Inc., Detroit, Michigan, No. 118, Printed in U.S.A., , published December 15, 1943©IAPCO, 100.00 [Sold, E]

Gebhard Fugel

(German, 1863-1939)

“The Last Supper” (German: “Das Letzte Abendmahl”) - 1943

The size with wide margins is 14” x 18-7/8”, Image size is 9-5/8” x 16-7/8”

Collotype ‘Fine-grain’ Lithograph

Vintage mid century litho, Excellent Rare+ condition, Never framed, Copyright International Art Publishing Co., Inc., Detroit, Michigan, No. 118, Printed in U.S.A., , published December 15, 1943©IAPCO

100.00 [Sold, E]
John Knighton Thomson, R.A. (British, 1820-1888), “The First Christmas Morn.” - Circa Early 1900’s-10’s , The size mounted is 18-1/4” 24-3/4”, Print size with small margins is 10-11/16” x 17-7/8”, Hand-Colored Halftone Lithographic Print , Antique print, Excellent Rare+ condition, Never framed, 130.00 [E]

John Knighton Thomson, R.A.

(British, 1820-1888)

“The First Christmas Morn.” - Circa Early 1900’s-10’s

The size mounted is 18-1/4” 24-3/4”, Print size with small margins is 10-11/16” x 17-7/8”

Hand-Colored Halftone Lithographic Print

Antique print, Excellent Rare+ condition, Never framed

130.00 [E]
Henry Mosler (German-born American, 1841-1920), “De Profundis” Latin: "From the Depths") - c.1912 , The size with the small margin is 24-13/16” x 36-1/4”, Image size is 24-1/8” x 35-3/4”, Large Hand-Colored Bromide Print, Antique large inspirational print, Excellent Rare+ condition, Never framed, from research I believe the publisher was the Detroit Publishing Company, Detroit, MI, who actually maintained the original reproduction copyright for this image as found in the Library of Congress and through antique copyright registration records, and for the fact we have sold other similar hand-colored prints by the DPC over the years. , 400.00 [E]

Henry Mosler

(German-born American, 1841-1920)

“De Profundis” Latin: "From the Depths") - c.1912

The size with the small margin is 24-13/16” x 36-1/4”, Image size is 24-1/8” x 35-3/4”

Large Hand-Colored Bromide Print

Antique large inspirational print, Excellent Rare+ condition, Never framed, from research I believe the publisher was the Detroit Publishing Company, Detroit, MI, who actually maintained the original reproduction copyright for this image as found in the Library of Congress and through antique copyright registration records, and for the fact we have sold other similar hand-colored prints by the DPC over the years.

400.00 [E]
- Unknown , “St. Rita” (AKA “Saint Rita of Cascia: Patroness of Impossible Causes, as well as Abused Wives and Heartbroken Women”) - c.1930’s , The Image size is 19-15/16” x 15-15/16” (20” x 16”), Halftone Lithograph, Vintage print, Excellent Rare+ condition , Never framed, no publisher inrfo on piece but may have possibly been published by Künzli Frères Zürich, inventory number along with the title appears printed lower left in the image corner, ‘2224-St. Rita’, 100.00 [Sold, E]

- Unknown

“St. Rita” (AKA “Saint Rita of Cascia: Patroness of Impossible Causes, as well as Abused Wives and Heartbroken Women”) - c.1930’s

The Image size is 19-15/16” x 15-15/16” (20” x 16”)

Halftone Lithograph

Vintage print, Excellent Rare+ condition , Never framed, no publisher inrfo on piece but may have possibly been published by Künzli Frères Zürich, inventory number along with the title appears printed lower left in the image corner, ‘2224-St. Rita’

100.00 [Sold, E]
Leonardo Da Vinci (Italian, 1452-1519), “The Last Supper” - c.1930’s , The Image size is 15-15/16” x 19-15/16” (16” x 20”), Halftone Lithograph, Vintage print, Excellent Rare+ condition, never framed, no publisher info printed on the piece, but may have possibly been published by Künzli Frères Zürich, inventory number along with the title appears printed lower left in the image corner, ‘2225-The Last Supper’, ‘©’ lower right, 100.00 [E]

Leonardo Da Vinci

(Italian, 1452-1519)

“The Last Supper” - c.1930’s

The Image size is 15-15/16” x 19-15/16” (16” x 20”)

Halftone Lithograph

Vintage print, Excellent Rare+ condition, never framed, no publisher info printed on the piece, but may have possibly been published by Künzli Frères Zürich, inventory number along with the title appears printed lower left in the image corner, ‘2225-The Last Supper’, ‘©’ lower right

100.00 [E]
Charles Bosseron Chambers (American, 1883-1964), “Light of the World” (a detail view) - 1948 , The size with wide margins is 18-1/16” x 14”, Image size is 12-1/4” x 9-3/16”., Halftone Lithograph, Vintage print, Excellent Rare+ condition, never framed, Copyright Edward Gross Co., NY, Painted by C. Bosseron Chambers, © E.G. Co. INC. N.Y. , 100.00 [E]

Charles Bosseron Chambers

(American, 1883-1964)

“Light of the World” (a detail view) - 1948

The size with wide margins is 18-1/16” x 14”, Image size is 12-1/4” x 9-3/16”.

Halftone Lithograph

Vintage print, Excellent Rare+ condition, never framed, Copyright Edward Gross Co., NY, Painted by C. Bosseron Chambers, © E.G. Co. INC. N.Y.

100.00 [E]
William Brassey Hole (British, 1846-1917), "If Thou Hadst Known Oh Jerusalem, St. Luke XIX. 42" (Larger Version) - 1919 , The sheet size with wide margins is 15-3/16” x 21-3/16”, Plate size is 7-7/8” x 10-7/16”, Image size is 6-1/2” x 9-7/8”, Hand-colored Photogravure , Antique gravure, Excellent Rare+ condition, Never framed, © House of Art, N.Y. (which was the distributive arm of the publisher Reinthal & Newman), © R&N (For: Reinthal & Newman), 175.00 [E]

William Brassey Hole

(British, 1846-1917)

"If Thou Hadst Known Oh Jerusalem, St. Luke XIX. 42" (Larger Version) - 1919

The sheet size with wide margins is 15-3/16” x 21-3/16”, Plate size is 7-7/8” x 10-7/16”, Image size is 6-1/2” x 9-7/8”

Hand-colored Photogravure

Antique gravure, Excellent Rare+ condition, Never framed, © House of Art, N.Y. (which was the distributive arm of the publisher Reinthal & Newman), © R&N (For: Reinthal & Newman)

175.00 [E]
Hugo Havenith (German, 1853-1925), “Holy Night” (German: "Die Heilige Nacht") - Circa Early 1900’s , The size with very wide margins is 16-5/16” x 21-5/16”, Image size is 9-15/16” x 15-3/4”., Chine-Collé Photogravure , Antoque gravure, Excellent Rare+ condition, never framed, Painted by Havenith, 150.00 [E]

Hugo Havenith

(German, 1853-1925)

“Holy Night” (German: "Die Heilige Nacht") - Circa Early 1900’s

The size with very wide margins is 16-5/16” x 21-5/16”, Image size is 9-15/16” x 15-3/4”.

Chine-Collé Photogravure

Antoque gravure, Excellent Rare+ condition, never framed, Painted by Havenith

150.00 [E]
Sybil Catherine Parker (British, 1851-1944), “The Good Shepherd.” (German: "Der Gute Hirte") - 1893 , The size with margins is 13-7/8” x 10-1/2”, Image size is 12-7/16” x 8-7/16”., Halftone Print , Antique print, VeryGood-Excellent Rare+ condition, Never framed, Copyright 1893 by Photographische Gesellschaft which is for the famous art publisher, Berlin Photographic Company, Berlin, Germany (Art Publisher, 1862-c.1938), 40.00 [Sold, E]

Sybil Catherine Parker

(British, 1851-1944)

“The Good Shepherd.” (German: "Der Gute Hirte") - 1893

The size with margins is 13-7/8” x 10-1/2”, Image size is 12-7/16” x 8-7/16”.

Halftone Print

Antique print, VeryGood-Excellent Rare+ condition, Never framed, Copyright 1893 by Photographische Gesellschaft which is for the famous art publisher, Berlin Photographic Company, Berlin, Germany (Art Publisher, 1862-c.1938)

40.00 [Sold, E]
William Ladd Taylor (American, 1854-1926), “The Nativity” - 1905/1906 , The size with small margins is 20-1/16” x 14-3/4”, Image size is 19-7/16” x 14-3/16”, Sepia/Brown-toned Photo-mechanical ‘Carbon Print’, Antique print, Excellent Rare+ condition, Never framed, Copyright, 1905, By The Curtis Publishing Co., Philadelphia, Copyright, 1906, By Moffat, Yard & Co., New York, Which is for the American Publishers: The Curtis Publishing Company, Philadelphia, PA (1891-1969) and Moffat, Yard & Co. (1905-1924) who had a business alliance and often co-published various prints together, The Nativity, By W. L. Taylor, Moffat, Yard and Company, 31 East 17th Street, New York, 175.00 [Sold, E]

William Ladd Taylor

(American, 1854-1926)

“The Nativity” - 1905/1906

The size with small margins is 20-1/16” x 14-3/4”, Image size is 19-7/16” x 14-3/16”

Sepia/Brown-toned Photo-mechanical ‘Carbon Print’

Antique print, Excellent Rare+ condition, Never framed, Copyright, 1905, By The Curtis Publishing Co., Philadelphia, Copyright, 1906, By Moffat, Yard & Co., New York, Which is for the American Publishers: The Curtis Publishing Company, Philadelphia, PA (1891-1969) and Moffat, Yard & Co. (1905-1924) who had a business alliance and often co-published various prints together, The Nativity, By W. L. Taylor, Moffat, Yard and Company, 31 East 17th Street, New York

175.00 [Sold, E]
Kunstverlag Fingerle & Co., Esslingen a.N. (German Publishers, 1922-1984), “Jesus with Mary and Martha” - Vintage Circa 1930’s-40’s , The size with margins is 14-15/16” x 20”, Image size is 11-3/4” x 17-5/8”. , Halftone Print , Vintage print, Good Rare+ condition, never framed, Copyright by Kunstverlag Fingerle & Co., Esslingen a.N., Jesus with Mary and Martha – Jésus chez Marie et Marthe – Christus bei Maria und Martha – Gesù con Maria e Marta – Jesús con maria y Marta, Nr. 3139 Printed in Germany 30 X 45 cm, F © Co, 70.00 [Sold, E]

Kunstverlag Fingerle & Co., Esslingen a.N.

(German Publishers, 1922-1984)

“Jesus with Mary and Martha” - Vintage Circa 1930’s-40’s

The size with margins is 14-15/16” x 20”, Image size is 11-3/4” x 17-5/8”.

Halftone Print

Vintage print, Good Rare+ condition, never framed, Copyright by Kunstverlag Fingerle & Co., Esslingen a.N., Jesus with Mary and Martha – Jésus chez Marie et Marthe – Christus bei Maria und Martha – Gesù con Maria e Marta – Jesús con maria y Marta, Nr. 3139 Printed in Germany 30 X 45 cm, F © Co

70.00 [Sold, E]
Franz Ittenbach (German, 1813-1879), “Supplication (Maria Virgo)” (AKA AKA “The Virgin at Prayer” or “Maria Virgo”) - 1923 , The size with wide margins is 19-15/16” x 15-15/16” (20” x 16”), Image size is 12” x 9-3/4”. , ‘Taber Artotype’ Photo-mechanical Sepia/Brown-tone Print , Antique print, Excellent Rare+ condition, Never framed, Taber Prang Art Company, Springfield, MA (Publishers, 1897-1938), Painted by Ittenbach, inventory number, 4773, 175.00 [E]

Franz Ittenbach

(German, 1813-1879)

“Supplication (Maria Virgo)” (AKA AKA “The Virgin at Prayer” or “Maria Virgo”) - 1923

The size with wide margins is 19-15/16” x 15-15/16” (20” x 16”), Image size is 12” x 9-3/4”.

‘Taber Artotype’ Photo-mechanical Sepia/Brown-tone Print

Antique print, Excellent Rare+ condition, Never framed, Taber Prang Art Company, Springfield, MA (Publishers, 1897-1938), Painted by Ittenbach, inventory number, 4773

175.00 [E]
Bartolomé Esteban Murillo (Spanish, 1617-1682 ), “La Vierge De Sevilla” (“The Virgin of Sevilla”) - Circa 1900-1905 , The Print size is 10-7/8” x 8-1/2”., ‘Photochrom’ (Aäc process) Chromolithograph , Antique Photochrom, Excellent Rare+ condition, never framed, 42. (P.Z. Publisher Logo in circular earth globe*) – Musée Du Louvre. La Vierge De Sevilla. Par Murillo, Made in Switzerland, *The publisher initials ‘P.Z.’ is for the internationally well-known Swiss publisher: Photoglob Zürich AG, Switzerland (AKA Photoglob Co., Swiss Printer & Publisher, 1895-Present, earlier known as Photochrom Zürich AG, 1889-1895) , 70.00 [E]

Bartolomé Esteban Murillo

(Spanish, 1617-1682 )

“La Vierge De Sevilla” (“The Virgin of Sevilla”) - Circa 1900-1905

The Print size is 10-7/8” x 8-1/2”.

‘Photochrom’ (Aäc process) Chromolithograph

Antique Photochrom, Excellent Rare+ condition, never framed, 42. (P.Z. Publisher Logo in circular earth globe*) – Musée Du Louvre. La Vierge De Sevilla. Par Murillo, Made in Switzerland, *The publisher initials ‘P.Z.’ is for the internationally well-known Swiss publisher: Photoglob Zürich AG, Switzerland (AKA Photoglob Co., Swiss Printer & Publisher, 1895-Present, earlier known as Photochrom Zürich AG, 1889-1895)

70.00 [E]
Sir Anthony van Dyck (Flemish, 1599-1641), “Riposo in Egitto” (“Rest in Egypt”) - Circa Early 1900’s , The Print size is 12-1/16” x 14-5/8”. , Hand-Colored Photo Bromide Print , Antique print, VeryGood-Excellent Rare+ condition, Never framed, 106 Firenze – Pitti, Riposo in Egitto, Van Dyck, 60.00 [E]

Sir Anthony van Dyck

(Flemish, 1599-1641)

“Riposo in Egitto” (“Rest in Egypt”) - Circa Early 1900’s

The Print size is 12-1/16” x 14-5/8”.

Hand-Colored Photo Bromide Print

Antique print, VeryGood-Excellent Rare+ condition, Never framed, 106 Firenze – Pitti, Riposo in Egitto, Van Dyck

60.00 [E]
Heinrich Hofmann (German, 1824-1911) , “Christ in Gethsemane” (AKA “Christ in the Garden of Gethsemane” or Christ in the Garden”) - Circa Early 1900’s , The size with wide margins is 20” x 15-7/8” (basically standard 20” x 16”), Image size is 12-5/8” x 9-5/8”, Plate size is 14-5/8” x 11-1/4”, Hand-Colored Photogravure, Antique print, Excellent Rare+ condition, never framed , 125.00 [E]

Heinrich Hofmann

(German, 1824-1911)

“Christ in Gethsemane” (AKA “Christ in the Garden of Gethsemane” or Christ in the Garden”) - Circa Early 1900’s

The size with wide margins is 20” x 15-7/8” (basically standard 20” x 16”), Image size is 12-5/8” x 9-5/8”, Plate size is 14-5/8” x 11-1/4”

Hand-Colored Photogravure

Antique print, Excellent Rare+ condition, never framed

125.00 [E]
Sir Peter Paul Rubens (Flemish, 1577-1640), “Madonna of the Roses” (AKA “Madonna in a Garland of Flowers” or “Madonna on a Floral Wreath” or “Madonna im Blumenkranz”) - Circa 1910’s-1920’s , The size of the Print itself is 12-13/16” x 14-13/16”, Mounted size is 20-1/16” x 21-9/16”., Antique Print, VeryGood-Excellent Rare+ condition, Never framed, drymounted to stiff backing stock, , 150.00 [E]

Sir Peter Paul Rubens

(Flemish, 1577-1640)

“Madonna of the Roses” (AKA “Madonna in a Garland of Flowers” or “Madonna on a Floral Wreath” or “Madonna im Blumenkranz”) - Circa 1910’s-1920’s

The size of the Print itself is 12-13/16” x 14-13/16”, Mounted size is 20-1/16” x 21-9/16”.

Antique Print, VeryGood-Excellent Rare+ condition, Never framed, drymounted to stiff backing stock

150.00 [E]
Stéfan Lochner (German, c.1400-c.1453), “Adoration of the Kings” aft. Lochner (AKA The Adoration of the Magi”) - Early 20th C. , The Size Unopened is 8-13/16” x 9-15/16”, the Size Open is 8-13/16” x 20”, Photo-lithographic Fold-out Triptych Featuring 5 Panels (includes 2 outer/front panels with Metallic Inks , Antique Religious/Inspirational Triptych, Excellent Rare+ condition, Never framed, publisher unknown but likely was likely printed & published by a museum as a tourist piece., 175.00 [Sold, E]

Stéfan Lochner

(German, c.1400-c.1453)

“Adoration of the Kings” aft. Lochner (AKA The Adoration of the Magi”) - Early 20th C.

The Size Unopened is 8-13/16” x 9-15/16”, the Size Open is 8-13/16” x 20”

Photo-lithographic Fold-out Triptych Featuring 5 Panels (includes 2 outer/front panels with Metallic Inks

Antique Religious/Inspirational Triptych, Excellent Rare+ condition, Never framed, publisher unknown but likely was likely printed & published by a museum as a tourist piece.

175.00 [Sold, E]
Roberto Ferruzzi (Italian, 1854-1934), “Madonnina” (AKA "The madonna of the Streets") - c1940’s-50’s , The Print size with wide margins is 27-11/16” x 21-3/16”, Image size is 21-5/8” x 17”, ‘Large Format’ Inspirational Chromolithographic Print, Vintage Mid Century Litho, Excellent-Excellent+ Rare+, never framed, Copyright by Stehli Frères S.A., Editeurs, Zurich, Imprimé en Suisse, Printed in Switzerland, No. 1676, R. Ferruzzi, Madonnina, 300.00 [E]

Roberto Ferruzzi

(Italian, 1854-1934)

“Madonnina” (AKA "The madonna of the Streets") - c1940’s-50’s

The Print size with wide margins is 27-11/16” x 21-3/16”, Image size is 21-5/8” x 17”

‘Large Format’ Inspirational Chromolithographic Print

Vintage Mid Century Litho, Excellent-Excellent+ Rare+, never framed, Copyright by Stehli Frères S.A., Editeurs, Zurich, Imprimé en Suisse, Printed in Switzerland, No. 1676, R. Ferruzzi, Madonnina

300.00 [E]
Alexander Zick (German, 1845-1907) , "Madonna" (AKA German title: “Frau mit Kind” = “Woman with Child”) - 1923 , The Sheet size with large margins is 27-15/16” x 22-1/16”, Plate size is 22-5/8” x 17-5/8”, Image size is 17-1/8” x 12-5/8”, Hand-colored Chine-collé “Artotype” (Photo-Gelatin Collotype), Antique print, Excellent Rare+ condition, Never framed, printed & published by Taber Prang Art Co. in 1923, printed & published by the famous Taber Prang Art Co. in 1923, inventory number for the print, 4846, 250.00 [E]

Alexander Zick

(German, 1845-1907)

"Madonna" (AKA German title: “Frau mit Kind” = “Woman with Child”) - 1923

The Sheet size with large margins is 27-15/16” x 22-1/16”, Plate size is 22-5/8” x 17-5/8”, Image size is 17-1/8” x 12-5/8”

Hand-colored Chine-collé “Artotype” (Photo-Gelatin Collotype)

Antique print, Excellent Rare+ condition, Never framed, printed & published by Taber Prang Art Co. in 1923, printed & published by the famous Taber Prang Art Co. in 1923, inventory number for the print, 4846

250.00 [E]
Horace Pippin (American, 1888-1946), “The Holy Mountain III” - 1967 , The size with margins is 28-3/16” x 31”, Image size is 23-5/8” x 27-7/8”, ‘Large Format’ Color Halftone Lithographic Inspirational/Religious Print, Vintage OOP (Out-of-Print), Excellent Rare+ condition, never framed, © 1967 Copyright New York Graphic Society, Ltd. All rights reserved, NYGS, Horace Pippin (American, 1888-1946), Holy Mountain III, (Oil on canvas, 25”x 30”), Joseph H. Hirschhorn Collection, Printed in U.S.A., inventory number 7302, 400.00 [Sold, E]

Horace Pippin

(American, 1888-1946)

“The Holy Mountain III” - 1967

The size with margins is 28-3/16” x 31”, Image size is 23-5/8” x 27-7/8”

‘Large Format’ Color Halftone Lithographic Inspirational/Religious Print

Vintage OOP (Out-of-Print), Excellent Rare+ condition, never framed, © 1967 Copyright New York Graphic Society, Ltd. All rights reserved, NYGS, Horace Pippin (American, 1888-1946), Holy Mountain III, (Oil on canvas, 25”x 30”), Joseph H. Hirschhorn Collection, Printed in U.S.A., inventory number 7302

400.00 [Sold, E]
Heinrich Hofmann (German, 1824-1911) , “Christ at Gethsemane” (AKA “Christ in Gethsemane”) - Circa 1920’s-30’s , The size of the Print is 19-15/16” x 15-15/16”, Color Halftone Lithographic Print, Vintage print, VeryGood-Excellent Rare+ condition, Never framed, inventory number along with the title, ‘2220—Christ at Gethsemane’ appears printed lower-left , 100.00 [E]

Heinrich Hofmann

(German, 1824-1911)

“Christ at Gethsemane” (AKA “Christ in Gethsemane”) - Circa 1920’s-30’s

The size of the Print is 19-15/16” x 15-15/16”

Color Halftone Lithographic Print

Vintage print, VeryGood-Excellent Rare+ condition, Never framed, inventory number along with the title, ‘2220—Christ at Gethsemane’ appears printed lower-left

100.00 [E]
Albrecht Dürer (or Durer) (German, 1471-1528), Praying Hands” (German: “Betende Hände” or “Studie zu den Händen eines Apostels” [“Study of the Hands of an Apostle”]) - 1959 , The size with wide margins is 17-11/16” x 13-5/16”, Image size (with brown border) is 13-3/4” x 9-5/8”., Color Halftone Print, Vintage mid century print, Excellent Rare+ condition, Never framed, © NYGS Copyright by New York Graphic Society, Printed in Italy, Albrecht Dürer (German, 1471-1528), PRAYING HANDS, Mains en prière, Betende Hände, Mani giunte, Manos juntas, Albertina, Vienna, Amilcare Pizzi S.p.A. - Milano, inventory number, 4049, The Print was published ‘In Notice’ in 1959, and fully on January 15, 1960, and the ‘Author of Reproduction’ was the well-known publisher, Anton Schutz (German-American, 1894-1977), who was the founder of the NYGS, 50.00 [E]

Albrecht Dürer (or Durer)

(German, 1471-1528)

Praying Hands” (German: “Betende Hände” or “Studie zu den Händen eines Apostels” [“Study of the Hands of an Apostle”]) - 1959

The size with wide margins is 17-11/16” x 13-5/16”, Image size (with brown border) is 13-3/4” x 9-5/8”.

Color Halftone Print

Vintage mid century print, Excellent Rare+ condition, Never framed, © NYGS Copyright by New York Graphic Society, Printed in Italy, Albrecht Dürer (German, 1471-1528), PRAYING HANDS, Mains en prière, Betende Hände, Mani giunte, Manos juntas, Albertina, Vienna, Amilcare Pizzi S.p.A. - Milano, inventory number, 4049, The Print was published ‘In Notice’ in 1959, and fully on January 15, 1960, and the ‘Author of Reproduction’ was the well-known publisher, Anton Schutz (German-American, 1894-1977), who was the founder of the NYGS

50.00 [E]
William Holman Hunt (British, 1827-1910), “Light of the World” (AKA “The Light of the World”) - Circa Late 1910s-Early 1920s , The size with small margins is 17-15/16” x 9-15/16”, Image size is 15-15/16” x 7-7/8”., Color Halftone Lithographic Print, Antique print, VeryGood Rare+ condition , never framed, Published by Eyre & Spottiswoode (Publishers) Limited, London, E.C.4. Printed in England, 125.00 [E]

William Holman Hunt

(British, 1827-1910)

“Light of the World” (AKA “The Light of the World”) - Circa Late 1910s-Early 1920s

The size with small margins is 17-15/16” x 9-15/16”, Image size is 15-15/16” x 7-7/8”.

Color Halftone Lithographic Print

Antique print, VeryGood Rare+ condition , never framed, Published by Eyre & Spottiswoode (Publishers) Limited, London, E.C.4. Printed in England

125.00 [E]
Sybil Catherine Parker (British, 1851-1944), “The Door of the Fold” - 1944 , The size with wide margins is 14” x 11”, Image size is 10” x 6-7/8”. , ‘Westminster Color Print’ (Halftone Print), Vintage mid century print, VeryGood-Excellent Rare+ condition, Never framed, © New York Graphic Society, Fine Art Publishers, Westminster Color Print No. 131, The Door of the Fold, by Sybil C. Parker, The loving care of the shepherd as he stands at the door of the sheepfold at evening, counting the sheep as they enter, symbolizes the incident related in the Bible (John 10: 1-16), in which Jesus likened himself to “The Good Shepherd.”, Printed in U.S.A., The Print was published October 11, 1944 through the NYGS, 40.00 [Sold, E]

Sybil Catherine Parker

(British, 1851-1944)

“The Door of the Fold” - 1944

The size with wide margins is 14” x 11”, Image size is 10” x 6-7/8”.

‘Westminster Color Print’ (Halftone Print)

Vintage mid century print, VeryGood-Excellent Rare+ condition, Never framed, © New York Graphic Society, Fine Art Publishers, Westminster Color Print No. 131, The Door of the Fold, by Sybil C. Parker, The loving care of the shepherd as he stands at the door of the sheepfold at evening, counting the sheep as they enter, symbolizes the incident related in the Bible (John 10: 1-16), in which Jesus likened himself to “The Good Shepherd.”, Printed in U.S.A., The Print was published October 11, 1944 through the NYGS

40.00 [Sold, E]
Fra Beato Angelico (Italian, c1395-1455), “Angelico’s Angels” - Circa Early 1900s , The size of each Print is 16-13/16” x 5-11/16”, Mounted size is 28” x 22”, Set of Two Mounted Sepia-toned Photo-mechanical Prints, Antique prints, Excellent Rare+ condition, Never framed, 2809 Angelico’s Angels, 200.00 [E]

Fra Beato Angelico

(Italian, c1395-1455)

“Angelico’s Angels” - Circa Early 1900s

The size of each Print is 16-13/16” x 5-11/16”, Mounted size is 28” x 22”

Set of Two Mounted Sepia-toned Photo-mechanical Prints

Antique prints, Excellent Rare+ condition, Never framed, 2809 Angelico’s Angels

200.00 [E]
Mathieu Molitor (German, 1873-1929), “Schäfers Sonntagslied (Uhland)” (Translates: “Shepherd’s Sunday Song (Uhland)”) - 1903 , The size with small margins is 29-9/16” x 39-3/8”, Image size is 25-7/16” x 36-11/16”, Chromolithograph, Antique chromolitho, Excellent Rare+ condition, Never framed, Kunstverlag F. E. Wachsmuth, Leipzig, Schäfers Sonntagslied (Uhland) , 450.00 [E]

Mathieu Molitor

(German, 1873-1929)

“Schäfers Sonntagslied (Uhland)” (Translates: “Shepherd’s Sunday Song (Uhland)”) - 1903

The size with small margins is 29-9/16” x 39-3/8”, Image size is 25-7/16” x 36-11/16”

Chromolithograph

Antique chromolitho, Excellent Rare+ condition, Never framed, Kunstverlag F. E. Wachsmuth, Leipzig, Schäfers Sonntagslied (Uhland)

450.00 [E]
Heinrich Hofmann (German, 1824-1911) , “CHRISTUS BEI MARIA UND MARTHA” (Translates: “Christ with Mary and Martha”) - 1923 , The size with wide margins is 23-7/16” x 28-3/4”, Image size is 17-13/16” x 23-1/4”, Inspirational/Religious Chromolithograph, Antique & XRare Chromolitho, Excellent Rare+ condition, Never framed, Hanfstaengl, 1923, München (For: Franz Hanfstaengl, Munich, Germany, London & New York [German Publishers, 1852-1980]), J.M.H. Hofmann, Printed in Munich, Germany, 350.00 [E]

Heinrich Hofmann

(German, 1824-1911)

“CHRISTUS BEI MARIA UND MARTHA” (Translates: “Christ with Mary and Martha”) - 1923

The size with wide margins is 23-7/16” x 28-3/4”, Image size is 17-13/16” x 23-1/4”

Inspirational/Religious Chromolithograph

Antique & XRare Chromolitho, Excellent Rare+ condition, Never framed, Hanfstaengl, 1923, München (For: Franz Hanfstaengl, Munich, Germany, London & New York [German Publishers, 1852-1980]), J.M.H. Hofmann, Printed in Munich, Germany

350.00 [E]
Étienne Azambre (French, 1859-1935), “Jesus in the Cornfield” (AKA Real French Title: “Jésus dans les blés”=”Jesus in the Wheat”) - c1926 , The size with margins is 21-1/8” x 25-3/4”, Image size is 17-9/16” x 22-5/8”, Inspirational/Religious Collotype Lithograph, Antique & XRare collotype, Excellent Rare+ condition, never framed, BRAUN & Cie, MULHOUSE DORNACH, PARIS – LONDRES – NEW YORK, 0180 — E. AZAMBRE, Jésus dans les blés, Jesus Im Aehrenfeld, Jesus in the Cornfield, Printed in France, 250.00 [E]

Étienne Azambre

(French, 1859-1935)

“Jesus in the Cornfield” (AKA Real French Title: “Jésus dans les blés”=”Jesus in the Wheat”) - c1926

The size with margins is 21-1/8” x 25-3/4”, Image size is 17-9/16” x 22-5/8”

Inspirational/Religious Collotype Lithograph

Antique & XRare collotype, Excellent Rare+ condition, never framed, BRAUN & Cie, MULHOUSE DORNACH, PARIS – LONDRES – NEW YORK, 0180 — E. AZAMBRE, Jésus dans les blés, Jesus Im Aehrenfeld, Jesus in the Cornfield, Printed in France

250.00 [E]
Margaret Winifred Tarrant (English, 1888-1959), “The Lilies of the Field” - Circa 1916-Early 1920s , The size with margins is 29-15/16” x 22”, Image size is 24” x 18”, Inspirational/Religious ‘Large Version’ Collotype Lithograph, Antique & Ultra-Rare Litho, Excellent Rare+ condition, Never framed, The Modern Art Society, England Ltd., 7 Grafton Street, W1, Printed in England, 250.00 [Sold, E]

Margaret Winifred Tarrant

(English, 1888-1959)

“The Lilies of the Field” - Circa 1916-Early 1920s

The size with margins is 29-15/16” x 22”, Image size is 24” x 18”

Inspirational/Religious ‘Large Version’ Collotype Lithograph

Antique & Ultra-Rare Litho, Excellent Rare+ condition, Never framed, The Modern Art Society, England Ltd., 7 Grafton Street, W1, Printed in England

250.00 [Sold, E]
Herbert Gustave Carmichael Schmalz (English, 1856-1935), “THE RETURN FROM CALVARY.” - 1906 , The size with wide margins is 21-3/4” x 32-1/8”, Image size is 16-1/16” x 23-1/2”., Inspirational/Religious Hand-Colored Halftone Lithograph , Antique & XRare print, Excellent Rare+ condition, Never framed, Copyright 1906 By Louis Wolff & Co. London. N.W., ‘THE RETURN FROM CALVARY.’ and the additional text, ‘The darkness which was on the earth is clearing away. One long, dark cloud is hanging over the city like a pall. The Virgin Mother, weighed down by fatigue and grief, knowing not whither she goes, is being led up some steps, towards “his own” home, by St. John and Mary Magdalene.’, Hugo Guttmann, New York, Sole Agent in the United States & Canada, 350.00 [E]

Herbert Gustave Carmichael Schmalz

(English, 1856-1935)

“THE RETURN FROM CALVARY.” - 1906

The size with wide margins is 21-3/4” x 32-1/8”, Image size is 16-1/16” x 23-1/2”.

Inspirational/Religious Hand-Colored Halftone Lithograph

Antique & XRare print, Excellent Rare+ condition, Never framed, Copyright 1906 By Louis Wolff & Co. London. N.W., ‘THE RETURN FROM CALVARY.’ and the additional text, ‘The darkness which was on the earth is clearing away. One long, dark cloud is hanging over the city like a pall. The Virgin Mother, weighed down by fatigue and grief, knowing not whither she goes, is being led up some steps, towards “his own” home, by St. John and Mary Magdalene.’, Hugo Guttmann, New York, Sole Agent in the United States & Canada

350.00 [E]
Dean Cornwell (American, 1892-1960), “Shepherds in the Field” - 1927 , The size with wide margins is 22-15/16” x 28-7/8”, Image size is 19-1/8” x 24”, Inspirational/Religious Halftone Lithograph, Antique & XRare litho, Excellent Rare+ condition, never framed, Copyright By Morris & Bendien, Inc., N.Y., Copyright By Morris & Bendien, Inc., N.Y., Copyright in Great Britain, all rights reserved., Our Litho was published on May 14, 1927 by Morris & Bendien., 300.00 [E]

Dean Cornwell

(American, 1892-1960)

“Shepherds in the Field” - 1927

The size with wide margins is 22-15/16” x 28-7/8”, Image size is 19-1/8” x 24”

Inspirational/Religious Halftone Lithograph

Antique & XRare litho, Excellent Rare+ condition, never framed, Copyright By Morris & Bendien, Inc., N.Y., Copyright By Morris & Bendien, Inc., N.Y., Copyright in Great Britain, all rights reserved., Our Litho was published on May 14, 1927 by Morris & Bendien.

300.00 [E]
Stéfan Lochner (German, c.1400-c.1453), "Adoration" (AKA German Title: “Anbetung”=”Adoration” or “Die Anbetung”=”The Adoration”) - 1938 , The size with wide margins is 27-1/2” x 28-11/16”, Image size is 22-5/16” x 24-5/8”, ‘Large Format’ Color German Collotype Lithograph, Vintage & XRare Litho, Excellent Rare+ condition, Never framed, Copyright 1938 By Franz Hanfstaengl Munchen Printed in Germany, Stephan Lochner um 1400 - 1451, embossed publisher’s circular logo ‘Hanfstaengl Druck’ lower-left, 8031 - Adoration, 19F©H38, The Collotype was copyrighted on October 14, 1937 by Franz Hanfstaengl under its German title “Anbetung”, 350.00 [E]

Stéfan Lochner

(German, c.1400-c.1453)

"Adoration" (AKA German Title: “Anbetung”=”Adoration” or “Die Anbetung”=”The Adoration”) - 1938

The size with wide margins is 27-1/2” x 28-11/16”, Image size is 22-5/16” x 24-5/8”

‘Large Format’ Color German Collotype Lithograph

Vintage & XRare Litho, Excellent Rare+ condition, Never framed, Copyright 1938 By Franz Hanfstaengl Munchen Printed in Germany, Stephan Lochner um 1400 - 1451, embossed publisher’s circular logo ‘Hanfstaengl Druck’ lower-left, 8031 - Adoration, 19F©H38, The Collotype was copyrighted on October 14, 1937 by Franz Hanfstaengl under its German title “Anbetung”

350.00 [E]
Heinrich Hofmann (German, 1824-1911) , “Christ in the Garden of Gethsemane” - 1959 , The size with wide margins is 28-1/4” x 21-1/2”, Image size is 24” x 17-1/2”, Inspirational Collotype Lithograph, Vintage XRare Mid Century Litho, Excellent Rare+ condition, Never Framed, Copyright New York Graphic Society, 1959, Heinrich Hofmann, (German, 1824-1911), CHRIST IN THE GARDEN OF GETHSEMANE, LE CHRIST A GETHSÉMANÉ — CHRISTUS IN GETHSEMANE, CRISTO A GETHSEMANÍ, From the Original Painting in the Riverside Church, New York N. Y., Reproduced with the approval of the Board of Trustees of the Church, Printed in U.S.A., © NYGS, inventory number, 6716., 250.00 [E]

Heinrich Hofmann

(German, 1824-1911)

“Christ in the Garden of Gethsemane” - 1959

The size with wide margins is 28-1/4” x 21-1/2”, Image size is 24” x 17-1/2”

Inspirational Collotype Lithograph

Vintage XRare Mid Century Litho, Excellent Rare+ condition, Never Framed, Copyright New York Graphic Society, 1959, Heinrich Hofmann, (German, 1824-1911), CHRIST IN THE GARDEN OF GETHSEMANE, LE CHRIST A GETHSÉMANÉ — CHRISTUS IN GETHSEMANE, CRISTO A GETHSEMANÍ, From the Original Painting in the Riverside Church, New York N. Y., Reproduced with the approval of the Board of Trustees of the Church, Printed in U.S.A., © NYGS, inventory number, 6716.

250.00 [E]
Gustav Adolf Kuntz (German, 1843-1879), “Ein Gruß aus der Welt” (Translates: “A Greeting from the World” AKA “Greetings from the World” or “A Salutation from the World”) - c1920s , The size with small margins is 32-3/16” x 19-1/16”, Image size is 24-1/8” x 13-13/16”, Religious/Inspirational Color Collotype Lithograph, Antique & XRare Litho, Excellent Rare+ condition. Never framed, Oskar Schlicht Kunstverlag, Dresden, G.A. Kuntz, Printed in Germany., Gemäldegalerie Dresden, 225.00 [E]

Gustav Adolf Kuntz

(German, 1843-1879)

“Ein Gruß aus der Welt” (Translates: “A Greeting from the World” AKA “Greetings from the World” or “A Salutation from the World”) - c1920s

The size with small margins is 32-3/16” x 19-1/16”, Image size is 24-1/8” x 13-13/16”

Religious/Inspirational Color Collotype Lithograph

Antique & XRare Litho, Excellent Rare+ condition. Never framed, Oskar Schlicht Kunstverlag, Dresden, G.A. Kuntz, Printed in Germany., Gemäldegalerie Dresden

225.00 [E]
Max Wieczorek (German-American, 1863-1955), “Head of The Christ” (AKA “Head of Christ”) - c1946 , The size with wide margins is 25” x 19-11/16”, Image size is 18” x 13”, Inspirational Color Large Version ‘Westminster Print’, Vintage & XRare Mide Century Print, Excellent Rare+ condition, Never framed, © N.Y.G.S., Copyright New York Graphic Society, Fine Art Publishers, Head of Christ, by Max Wieczorek, Contemporary American, Printed in U.S.A., inventory number, No. 5912, 200.00 (E)

Max Wieczorek

(German-American, 1863-1955)

“Head of The Christ” (AKA “Head of Christ”) - c1946

The size with wide margins is 25” x 19-11/16”, Image size is 18” x 13”

Inspirational Color Large Version ‘Westminster Print’

Vintage & XRare Mide Century Print, Excellent Rare+ condition, Never framed, © N.Y.G.S., Copyright New York Graphic Society, Fine Art Publishers, Head of Christ, by Max Wieczorek, Contemporary American, Printed in U.S.A., inventory number, No. 5912

200.00 (E)
Gebhard Fugel (German, 1863-1939), “The Last Supper” (German: “Das Letzte Abendmahl” or simply “Abendmahl”) - 1943 , The size with wide margins is 16-1/2” x 29-13/16”, ‘Large Version’ Inspirational Collotype (Fine-Grain) Lithograph, Vintage XRare Mid Century Litho, Excellent Rare+ condition, Never Framed, I believe was published by the International Art Publishing Co., Inc., Detroit, Michigan, was published by the International Art Publishing Co., Inc., Detroit, Michigan, The print was published on December 15, 1943, © 1943 (partially trimmed off), 250.00 [E]

Gebhard Fugel

(German, 1863-1939)

“The Last Supper” (German: “Das Letzte Abendmahl” or simply “Abendmahl”) - 1943

The size with wide margins is 16-1/2” x 29-13/16”

‘Large Version’ Inspirational Collotype (Fine-Grain) Lithograph

Vintage XRare Mid Century Litho, Excellent Rare+ condition, Never Framed, I believe was published by the International Art Publishing Co., Inc., Detroit, Michigan, was published by the International Art Publishing Co., Inc., Detroit, Michigan, The print was published on December 15, 1943, © 1943 (partially trimmed off)

250.00 [E]
Heinrich Lauenstein (German, 1835-1910), “Cradle Song” (AKA “A Lullaby”; German Title: “Ein Wiegenlied”) - 1925 , The size with margins is 12-15/16” x 37”, Image size is 11-3/16” x 35-1/8”, Inspirational/Religious Color ‘Citochrome’ Chromolithograph, Antique & XRare Chromolitho, VeryGood Rare+ condition, Never Framed, The publisher’s oval-shaped blindstamp reads ‘Hanfstaengl, 1925, München’ (For: Publisher Franz Hanfstaengl, Munich, Germany, London & New York [German Publishers, 1852-1980]), Heinr. Lauenstein, Aquarelldruck Hanfstaengl (also called Citochrome printing), 275.00 [E]

Heinrich Lauenstein

(German, 1835-1910)

“Cradle Song” (AKA “A Lullaby”; German Title: “Ein Wiegenlied”) - 1925

The size with margins is 12-15/16” x 37”, Image size is 11-3/16” x 35-1/8”

Inspirational/Religious Color ‘Citochrome’ Chromolithograph

Antique & XRare Chromolitho, VeryGood Rare+ condition, Never Framed, The publisher’s oval-shaped blindstamp reads ‘Hanfstaengl, 1925, München’ (For: Publisher Franz Hanfstaengl, Munich, Germany, London & New York [German Publishers, 1852-1980]), Heinr. Lauenstein, Aquarelldruck Hanfstaengl (also called Citochrome printing)

275.00 [E]
Jacopo Robusti "Called Tintoretto" (Italian, 1518-1594), “The Trinity Adored by the Heavenly Choir” - 1948 , The size with wide margins is 25-1/16” x 21-15/16”, Image size is 20-1/8” x 18-7/16”, Inspirational/Religious Color Collotype Lithograph, Vintage & XRare Mid Century Litho, Excellent Rare+ condition, Never Framed, Copyright New York Graphic Society, Fine Art Publishers, The Trinity Adored by the Heavenly Choir, Jacopo Tintoretto, National Gallery of Art, Washington, D.C., Kress Collection, Printed in U.S.A., inventory number, 5252, ©N.Y.G.S., 275.00 [E]

Jacopo Robusti "Called Tintoretto"

(Italian, 1518-1594)

“The Trinity Adored by the Heavenly Choir” - 1948

The size with wide margins is 25-1/16” x 21-15/16”, Image size is 20-1/8” x 18-7/16”

Inspirational/Religious Color Collotype Lithograph

Vintage & XRare Mid Century Litho, Excellent Rare+ condition, Never Framed, Copyright New York Graphic Society, Fine Art Publishers, The Trinity Adored by the Heavenly Choir, Jacopo Tintoretto, National Gallery of Art, Washington, D.C., Kress Collection, Printed in U.S.A., inventory number, 5252, ©N.Y.G.S.

275.00 [E]
Gabriel Cornelius Ritter von Max (Czech-Austrian, 1840-1915), “Jesus Christus” (AKA “St. Veronica’s Handkerchief” or “Veronica’s Veil” or Alternate title “Ecce Homo”) - c1930s-1946 , The size with wide margins is 30-1/16” x 21-7/8”, Image size is 22-5/16” x 17-1/2”, Inspirational/Religious Color Collotype Lithograph, Vintage & XRare Litho, VeryGood Rare+ condition, Never Framed, Re-order No. X50 (with 24 written in pencil over it), Bergmann (AKA Bergman, which I think is for publisher, Frederick Frank Bergman, New York, as F.F. Bergman was on other religious/inspirational prints we had sold previously), Italian ‘P.M. Fabriano’ watermarked wove paper, 250.00 [E]

Gabriel Cornelius Ritter von Max

(Czech-Austrian, 1840-1915)

“Jesus Christus” (AKA “St. Veronica’s Handkerchief” or “Veronica’s Veil” or Alternate title “Ecce Homo”) - c1930s-1946

The size with wide margins is 30-1/16” x 21-7/8”, Image size is 22-5/16” x 17-1/2”

Inspirational/Religious Color Collotype Lithograph

Vintage & XRare Litho, VeryGood Rare+ condition, Never Framed, Re-order No. X50 (with 24 written in pencil over it), Bergmann (AKA Bergman, which I think is for publisher, Frederick Frank Bergman, New York, as F.F. Bergman was on other religious/inspirational prints we had sold previously), Italian ‘P.M. Fabriano’ watermarked wove paper

250.00 [E]
Gabriel Cornelius Ritter von Max (Czech-Austrian, 1840-1915), “Maria” (Mary) - 1927 , The size with wide margins is 28-5/16” x 20-7/16”, Image size is 23-5/8” x 16-5/8”, Color Collotype Lithograph, Antique & XXRare Litho, Excellent Rare+ condition, Never Framed, Published in 1927 by the renowned German publisher, Verlag von E.A. Seemann in Leipzig (AKA EAS, German Publishers, 1858-Present) as a “Farbige Kopie” (Color Copy: Faksimile-Farbenlichtdruck= Facsimile Color Collotype) with the Inventory No. 237, 275.00 [E]

Gabriel Cornelius Ritter von Max

(Czech-Austrian, 1840-1915)

“Maria” (Mary) - 1927

The size with wide margins is 28-5/16” x 20-7/16”, Image size is 23-5/8” x 16-5/8”

Color Collotype Lithograph

Antique & XXRare Litho, Excellent Rare+ condition, Never Framed, Published in 1927 by the renowned German publisher, Verlag von E.A. Seemann in Leipzig (AKA EAS, German Publishers, 1858-Present) as a “Farbige Kopie” (Color Copy: Faksimile-Farbenlichtdruck= Facsimile Color Collotype) with the Inventory No. 237

275.00 [E]
Raphael (Raffaello) Sanzio da Urbino (Italian 1483-1520), “Disputation of the Sacrament” (Italian: “La Disputa del sacramento” or simply “Disputa”) - c1920s-1930s , The size with margins is 20-7/8” x 27-7/16”, Image size 17-7/16” x 23-7/16”, Religious/Inspirational ‘Rinascimento Print’ (Renaissance Print) Heliotype (Collotype) Lithograph , Vintage & XRare Litho, Excellent Rare+ condition, Never Framed, The publisher’s embossed wreath logo reads: Eliotipia, Roberto Hoesch, Milano, Rinascimento Prints (Eliotipia = heliotype collotype), on hand-made ‘P.M. Fabriano’ watermarked wove paper, U.S. importer/distributer/dealer(?) stamp 'Bergman, Re-Order' (I think for publisher, Frederick Frank Bergman, New York [AKA Bergmann], as F.F. Bergman was on other Rinascimento prints we had sold previously), Made in Italy, 275.00 [E]

Raphael (Raffaello) Sanzio da Urbino

(Italian 1483-1520)

“Disputation of the Sacrament” (Italian: “La Disputa del sacramento” or simply “Disputa”) - c1920s-1930s

The size with margins is 20-7/8” x 27-7/16”, Image size 17-7/16” x 23-7/16”

Religious/Inspirational ‘Rinascimento Print’ (Renaissance Print) Heliotype (Collotype) Lithograph

Vintage & XRare Litho, Excellent Rare+ condition, Never Framed, The publisher’s embossed wreath logo reads: Eliotipia, Roberto Hoesch, Milano, Rinascimento Prints (Eliotipia = heliotype collotype), on hand-made ‘P.M. Fabriano’ watermarked wove paper, U.S. importer/distributer/dealer(?) stamp 'Bergman, Re-Order' (I think for publisher, Frederick Frank Bergman, New York [AKA Bergmann], as F.F. Bergman was on other Rinascimento prints we had sold previously), Made in Italy

275.00 [E]
- Buxton American?, 19th-20thC.), “The Star of Bethlehem” - Vintage c1930-1934 , The sheet size is 18” x 30”, ‘Larger Version’ Halftone Lithographic Print, Vintage print, Fair-Good Rare+ condition, Never framed, print type, A22, Litho in U.S.A., 90.00 [Sold, E]

- Buxton

American?, 19th-20thC.)

“The Star of Bethlehem” - Vintage c1930-1934

The sheet size is 18” x 30”

‘Larger Version’ Halftone Lithographic Print

Vintage print, Fair-Good Rare+ condition, Never framed, print type, A22, Litho in U.S.A.

90.00 [Sold, E]
Joseph John (American, 1832-1877), “The Spiritual Guide” - 1871 , The Chromolitho sheet size is 30-1/16” x 24-1/8”, Image size is 28-3/16 x 22-1/4”, Oleograph/Chromolithograph, Antique 19th C. Ultra-Rare & Highly Collectible Chromo (Historically Important in Early Chromolithography of America), VeryGood-Excellent Rare+ condition, Never framed, From research, the piece was stunningly chromolithographed by the well-known listed artist, oleographer/chromolithographer, lithographer & colorist, ‘James Fuller Queen’ (American, 1820-1886) and was published by the renowned & prolific listed publisher & lithographer, ‘Joseph Hoover’ (American Publisher, 1830-1913), from “Hoover’s American Chromos” series of chromolithographs published in the 1870s, ‘The Spiritual Guide. Printed & Published by Jos. Hoover 1129 Chestnut St. Philada.’, and ‘Entered according to act of Congress in the Year 1871 by Jos. Hoover in the Office of the Librarian of Congress at Washington’, 1200.00 [E]

Joseph John

(American, 1832-1877)

“The Spiritual Guide” - 1871

The Chromolitho sheet size is 30-1/16” x 24-1/8”, Image size is 28-3/16 x 22-1/4”

Oleograph/Chromolithograph

Antique 19th C. Ultra-Rare & Highly Collectible Chromo (Historically Important in Early Chromolithography of America), VeryGood-Excellent Rare+ condition, Never framed, From research, the piece was stunningly chromolithographed by the well-known listed artist, oleographer/chromolithographer, lithographer & colorist, ‘James Fuller Queen’ (American, 1820-1886) and was published by the renowned & prolific listed publisher & lithographer, ‘Joseph Hoover’ (American Publisher, 1830-1913), from “Hoover’s American Chromos” series of chromolithographs published in the 1870s, ‘The Spiritual Guide. Printed & Published by Jos. Hoover 1129 Chestnut St. Philada.’, and ‘Entered according to act of Congress in the Year 1871 by Jos. Hoover in the Office of the Librarian of Congress at Washington’

1200.00 [E]
Josef Mathauser (Czech, 1846-1917), “Gethsemane” - 1911 , The size of the Gravure with wide margins is 31-1/2” x 23-3/4”, Image size is 20-1/2” x 16-1/8”., ‘Large Format’ Inspirational Photogravure, Antique gravure, Excellent+ Rare+ condition, never framed, published & printed by E.G. May Söhne (AKA Söehne), Frankfurt am Main, Germany (Printers & Publishers, 1845-1914) who were often listed and abbreviated as ‘Egemes’ (or EGMS), inventory number, 6949, J. Mathauser Pinx., Gethsemane, 400.00 [E]

Josef Mathauser

(Czech, 1846-1917)

“Gethsemane” - 1911

The size of the Gravure with wide margins is 31-1/2” x 23-3/4”, Image size is 20-1/2” x 16-1/8”.

‘Large Format’ Inspirational Photogravure

Antique gravure, Excellent+ Rare+ condition, never framed, published & printed by E.G. May Söhne (AKA Söehne), Frankfurt am Main, Germany (Printers & Publishers, 1845-1914) who were often listed and abbreviated as ‘Egemes’ (or EGMS), inventory number, 6949, J. Mathauser Pinx., Gethsemane

400.00 [E]
Muller, Luchsinger & Co., N.Y. (American Art Publishers, c1886-c1930), “Gethsemane” and “Christ Sur La Montagne Des Oliviers.” - 1917 , The size of the Chromolitho with small margins is 30-5/8” x 22-1/16”, Image size is 30” x 21-1/8”, ‘Large Format’ Inspirational Chromolithograph, Antique chromo, Excellent Rare+ condition, Never framed, Copyrighted 1917. -By Muller, Luchsinger & Co., New York., inventory number, No. 4001., The Chromolitho was published on February 21, 1917 by Muller, Luchsinger & Co., 400.00 [E]

Muller, Luchsinger & Co., N.Y.

(American Art Publishers, c1886-c1930)

“Gethsemane” and “Christ Sur La Montagne Des Oliviers.” - 1917

The size of the Chromolitho with small margins is 30-5/8” x 22-1/16”, Image size is 30” x 21-1/8”

‘Large Format’ Inspirational Chromolithograph

Antique chromo, Excellent Rare+ condition, Never framed, Copyrighted 1917. -By Muller, Luchsinger & Co., New York., inventory number, No. 4001., The Chromolitho was published on February 21, 1917 by Muller, Luchsinger & Co.

400.00 [E]
Lorenzo Lotto (Italian, 1480-1556), “The Nativity” - 1946 , The Print size with wide margins is 22-15/16” x 17-7/8”, Image size is 17-3/4” x 13-11/16”, Inspirational/Religious Collotype Lithograph, Vintage mid century collotype, Excellent Rare+ condition, never framed, Copyright New York Graphic Society, Fine Art Publishers, The Nativity, Lorenzo Lotto, National Gallery of Art, Washington, D.C., Kress Collection, Printed in U.S.A., © NYGS, inventory number, 5491, The Collotype was published on September 15, 1946 by the NYGS and they renewed the copyright in late 1973, but our piece is the original vintage 1946 print version (not the more-modern reproduction), 150.00 [E]

Lorenzo Lotto

(Italian, 1480-1556)

“The Nativity” - 1946

The Print size with wide margins is 22-15/16” x 17-7/8”, Image size is 17-3/4” x 13-11/16”

Inspirational/Religious Collotype Lithograph

Vintage mid century collotype, Excellent Rare+ condition, never framed, Copyright New York Graphic Society, Fine Art Publishers, The Nativity, Lorenzo Lotto, National Gallery of Art, Washington, D.C., Kress Collection, Printed in U.S.A., © NYGS, inventory number, 5491, The Collotype was published on September 15, 1946 by the NYGS and they renewed the copyright in late 1973, but our piece is the original vintage 1946 print version (not the more-modern reproduction)

150.00 [E]
Bartolomé Esteban Murillo (Spanish, 1617-1682 ), “The Conception” - Vintage c1920s-1930s , The size with margins is 26-9/16” x 19-3/16”, Image size 23-11/16” x 16-1/8”, Religious/Inspirational ‘Rinascimento Print’ (Renaissance Print) Heliotype (Collotype) Lithograph, Vintage print, Excellent Rare+ condition, Never framed, Rinascimento Print, Roberto Hoesch, Milano, Formato medio – Moyen Format – Middle Size – Mittleres Format, N. 49, “L’Immacolata Concezione”, “La Conception”, “The Conception”, “Die Unbefleckte Empfängnis”, B. E. Murillo (1617-1682), Paris, Musée du Louvre, Printed in Italy, Copyright by Roberto Hoesch, S.r.L. - Milano, 225.00 [E]

Bartolomé Esteban Murillo

(Spanish, 1617-1682 )

“The Conception” - Vintage c1920s-1930s

The size with margins is 26-9/16” x 19-3/16”, Image size 23-11/16” x 16-1/8”

Religious/Inspirational ‘Rinascimento Print’ (Renaissance Print) Heliotype (Collotype) Lithograph

Vintage print, Excellent Rare+ condition, Never framed, Rinascimento Print, Roberto Hoesch, Milano, Formato medio – Moyen Format – Middle Size – Mittleres Format, N. 49, “L’Immacolata Concezione”, “La Conception”, “The Conception”, “Die Unbefleckte Empfängnis”, B. E. Murillo (1617-1682), Paris, Musée du Louvre, Printed in Italy, Copyright by Roberto Hoesch, S.r.L. - Milano

225.00 [E]
Marc Chagall (Russian-French, 1887-1985), “Rabbi with Torah” - c1953-1961 , The Print size with wide margins is 29-1/4” x 22-15-16”, Image size is 23-7/8” x 17-15/16”, ‘Large Version’ OOP (Long Out-of-Print) Inspirational/Religious Halftone Lithograph, Vintage mid century print, Excellent Rare+ condition, Never framed, Copyright New York Graphic Society, Marc Chagall, (French, 1887- ), RABBI WITH TORAH, (Gouache and watercolor 29” x 21”, undated), Stedelijk Museum, Amsterdam, P. A. Regnault Collection, Printed in Holland, © N.Y.G.S., Droits de reproduction reserves A.D.A.G.P., Paris, inventory number, 6292, This specific NYGS print was initially published on September 17, 1952 in the smaller size format of 14” x 11” (Nr. 4292) and the ‘Author of Reproduction’ was the well-known publisher, Anton Schutz (German-American, 1894-1977), who was the founder of the NYGS , and based on the exact measurements of the ‘Image Size’, for this larger NYGS version print (60.6cm x 45.6cm, Nr. 6292), it first shows up in the early NYGS 1961 catalog with those ‘exact’ measurements (earliest NYGS catalog I found with sizes listed), A couple years later in 1963 it was reproduced for U.N.E.S.C.O. in the exact same size, printing of our print was done by Smeets Lithographers out of Weert, The Netherlands, Holland, 275.00 [E]

Marc Chagall

(Russian-French, 1887-1985)

“Rabbi with Torah” - c1953-1961

The Print size with wide margins is 29-1/4” x 22-15-16”, Image size is 23-7/8” x 17-15/16”

‘Large Version’ OOP (Long Out-of-Print) Inspirational/Religious Halftone Lithograph

Vintage mid century print, Excellent Rare+ condition, Never framed, Copyright New York Graphic Society, Marc Chagall, (French, 1887- ), RABBI WITH TORAH, (Gouache and watercolor 29” x 21”, undated), Stedelijk Museum, Amsterdam, P. A. Regnault Collection, Printed in Holland, © N.Y.G.S., Droits de reproduction reserves A.D.A.G.P., Paris, inventory number, 6292, This specific NYGS print was initially published on September 17, 1952 in the smaller size format of 14” x 11” (Nr. 4292) and the ‘Author of Reproduction’ was the well-known publisher, Anton Schutz (German-American, 1894-1977), who was the founder of the NYGS , and based on the exact measurements of the ‘Image Size’, for this larger NYGS version print (60.6cm x 45.6cm, Nr. 6292), it first shows up in the early NYGS 1961 catalog with those ‘exact’ measurements (earliest NYGS catalog I found with sizes listed), A couple years later in 1963 it was reproduced for U.N.E.S.C.O. in the exact same size, printing of our print was done by Smeets Lithographers out of Weert, The Netherlands, Holland

275.00 [E]
Salvador Dalí (Spanish, 1904-1989), “Crucifixion (Corpus Hypercubus)” (AKA “Corpus Hipercubus” or “Crucifixion (Corpus Hipercubus)”) - 1955 , The size with wide margins is 33” x 21-13/16”, Image size is 28-1/16” x 17-7/8”, ‘Large Version’ OOP (Long Out-of-Print) Vintage Mid-Century 1955 ‘Open Edition’ Inspirational Color Collotype Lithograph (not a more-modern reproduction), Vintage mid century ultra-rare litho, Excellent Rare+ condition, Never framed, Copyright New York Graphic Society, Salvador Dali, (Spanish, 1904- ), CRUCIFIXION (CORPUS HYPERCUBUS), (Oil on canvas, 76-1/2” x 48-3/4”, painted in 1954), The Metropolitan Museum of Art, New York, Gift of the Chester Dale Collection, Printed in U.S.A., © N.Y.G.S., The Collotype was initially published September 21, 1955 with the inventory No. 7691 (for larger version) though it is not printed on our piece, and the ‘Author of Reproduction’ was New York Graphic Society founder, Anton Schutz (German-American, 1894-1977), The smaller version, 14” x 9” (Image size), had the inventory No. 4691 associated with it, that was published around the same time period, 750.00 [E]

Salvador Dalí

(Spanish, 1904-1989)

“Crucifixion (Corpus Hypercubus)” (AKA “Corpus Hipercubus” or “Crucifixion (Corpus Hipercubus)”) - 1955

The size with wide margins is 33” x 21-13/16”, Image size is 28-1/16” x 17-7/8”

‘Large Version’ OOP (Long Out-of-Print) Vintage Mid-Century 1955 ‘Open Edition’ Inspirational Color Collotype Lithograph (not a more-modern reproduction)

Vintage mid century ultra-rare litho, Excellent Rare+ condition, Never framed, Copyright New York Graphic Society, Salvador Dali, (Spanish, 1904- ), CRUCIFIXION (CORPUS HYPERCUBUS), (Oil on canvas, 76-1/2” x 48-3/4”, painted in 1954), The Metropolitan Museum of Art, New York, Gift of the Chester Dale Collection, Printed in U.S.A., © N.Y.G.S., The Collotype was initially published September 21, 1955 with the inventory No. 7691 (for larger version) though it is not printed on our piece, and the ‘Author of Reproduction’ was New York Graphic Society founder, Anton Schutz (German-American, 1894-1977), The smaller version, 14” x 9” (Image size), had the inventory No. 4691 associated with it, that was published around the same time period

750.00 [E]
Salvador Dalí (Spanish, 1904-1989), “The Sacrament of The Last Supper” (AKA “La Última Cena” or “El sacramento de la Última Cena”) - 1958 , The size with wide margins is 23-3/4” x 33-15/16”, Image size is 18-3/4” x 30”, ‘Large Version’ OOP (Long Out-of-Print) Vintage Mid-Century 1958 ‘Open Edition’ Inspirational Color Collotype Lithograph (not a more-modern reproduction), Vintage ultra-rare mid century litho, Excellent Rare+ condition, never framed, © 1958 New York Graphic Society Ltd. All rights reserved, Salvador Dali, (Spanish, 1904), THE SACRAMENT OF THE LAST SUPPER, Le Dernier Souper ? Das Heilige Abendmahl, L’ultima Cena ? La Ultima Cena, (Oil on canvas, 65-3/4” x 105-1/2”, 167 x 268 cm. Dated 1955), National Gallery of Art, Washington, D.C., Chester Dale Collection, Printed in U.S.A., inventory number, 7923, Our Collotype was published on May 15, 1958 and the ‘Author of Reproduction’ was the New York Graphic Society’s founder, Anton Schutz (German-American, 1894-1977), and the smaller version inventory number was ‘4923’ (Image size 8-1/2” x 14”), 800.00 [E]

Salvador Dalí

(Spanish, 1904-1989)

“The Sacrament of The Last Supper” (AKA “La Última Cena” or “El sacramento de la Última Cena”) - 1958

The size with wide margins is 23-3/4” x 33-15/16”, Image size is 18-3/4” x 30”

‘Large Version’ OOP (Long Out-of-Print) Vintage Mid-Century 1958 ‘Open Edition’ Inspirational Color Collotype Lithograph (not a more-modern reproduction)

Vintage ultra-rare mid century litho, Excellent Rare+ condition, never framed, © 1958 New York Graphic Society Ltd. All rights reserved, Salvador Dali, (Spanish, 1904), THE SACRAMENT OF THE LAST SUPPER, Le Dernier Souper ? Das Heilige Abendmahl, L’ultima Cena ? La Ultima Cena, (Oil on canvas, 65-3/4” x 105-1/2”, 167 x 268 cm. Dated 1955), National Gallery of Art, Washington, D.C., Chester Dale Collection, Printed in U.S.A., inventory number, 7923, Our Collotype was published on May 15, 1958 and the ‘Author of Reproduction’ was the New York Graphic Society’s founder, Anton Schutz (German-American, 1894-1977), and the smaller version inventory number was ‘4923’ (Image size 8-1/2” x 14”)

800.00 [E]
Jan van Eyck (Flemish, c1380/1390-1441), “The Annunciation” - 1965 , The size with wide margins is 31” x 13-11/16”, Image size is 26-1/16” x 9-3/4”, Inspirational/Religious Color Collotype Lithograph (not a more-modern print reproduction), Vintage ultra-rare litho, Excellent Rare+ condition, Never framed, Copyright New York Graphic Society, Inc., Jan van Eyck, (Flemish, 1380/1400-1441), THE ANNUNCIATION’, L’Annonciation ? Die Verkündigung, L’Annunciazione ? La Anunciacon, (Transferred from wood to canvas, 36-1/2” x 14-3/8”, 92.3x36.5 cm, c. 1435-40), National Gallery of Art, Washington, D.C., Mellon Collection, Printed in U.S.A., © N.Y.G.S., inventory number, 7663, The Collotype was published February 17, 1965 and the ‘Author of Reproduction’ was New York Graphic Society founder, Anton Schutz (German-American, 1894-1977), 175.00 [E]

Jan van Eyck

(Flemish, c1380/1390-1441)

“The Annunciation” - 1965

The size with wide margins is 31” x 13-11/16”, Image size is 26-1/16” x 9-3/4”

Inspirational/Religious Color Collotype Lithograph (not a more-modern print reproduction)

Vintage ultra-rare litho, Excellent Rare+ condition, Never framed, Copyright New York Graphic Society, Inc., Jan van Eyck, (Flemish, 1380/1400-1441), THE ANNUNCIATION’, L’Annonciation ? Die Verkündigung, L’Annunciazione ? La Anunciacon, (Transferred from wood to canvas, 36-1/2” x 14-3/8”, 92.3x36.5 cm, c. 1435-40), National Gallery of Art, Washington, D.C., Mellon Collection, Printed in U.S.A., © N.Y.G.S., inventory number, 7663, The Collotype was published February 17, 1965 and the ‘Author of Reproduction’ was New York Graphic Society founder, Anton Schutz (German-American, 1894-1977)

175.00 [E]
Luca della Robbia (Italian, c1399/1400-1482), “Madonna with the Lilies” (AKA “Virgin and Child with Lilies”) - c1965 , The size with wide margins is 24-7/16” x 18-7/8”, Image size is 20” x 15-3/4”, OOP (Long Out-of-Print) Inspirational/Religious Color Halftone Lithographic Print (not a more-modern print reproduction), Vintage ultra-rare print, Excellent Rare+ condition, never framed, Copyright New York Graphic Society, Inc., Luca della Robbia, (Italian, c. 1400-1482), MADONNA WITH THE LILIES’, La Vierge aux lis ? Madonna mit den Lilien, La Madonna dei gigli ? La Virgen de las azucenas, (Enameled terracotta, 19” x 14-3/4”, 48,3 x 37.5 cm, c. 1480), Museum of Fine Arts, Boston, Mass., Printed in Switzerland, © N.Y.G.S., inventory number, 5395, 250.00 [E]

Luca della Robbia

(Italian, c1399/1400-1482)

“Madonna with the Lilies” (AKA “Virgin and Child with Lilies”) - c1965

The size with wide margins is 24-7/16” x 18-7/8”, Image size is 20” x 15-3/4”

OOP (Long Out-of-Print) Inspirational/Religious Color Halftone Lithographic Print (not a more-modern print reproduction)

Vintage ultra-rare print, Excellent Rare+ condition, never framed, Copyright New York Graphic Society, Inc., Luca della Robbia, (Italian, c. 1400-1482), MADONNA WITH THE LILIES’, La Vierge aux lis ? Madonna mit den Lilien, La Madonna dei gigli ? La Virgen de las azucenas, (Enameled terracotta, 19” x 14-3/4”, 48,3 x 37.5 cm, c. 1480), Museum of Fine Arts, Boston, Mass., Printed in Switzerland, © N.Y.G.S., inventory number, 5395

250.00 [E]
Bernhard Plockhorst (German, 1825-1907), “Jesus Blessing the Children” - 1946 , The size with wide margins is 25-7/16” x 19-1/4”, Image size is 20” x 14-1/4”, OOP (Long Out-of-Print) Vintage Mid Century 1946 ‘Large Version’ Inspirational/Religious Color Collotype Lithograph (not a more-modern print reproduction), Vintag ultra-rare mid century litho, Excellent Rare+ condition, never framed, Copyright New York Graphic Society, Fine Art Publishers, The inventory number is, 5390, Printed in U.S.A., Jesus Blessing the Children, Bernhard Plockhorst, 1825-1907. Biblical quote (also in Spanish) which reads: The Holy Bible ? The Gospel according to St. Mark X – 15, 16: “Verily I say unto you, whosoever shall not receive the kingdom of God as a little child, he shall not enter therein. And he took them up in his arms, put his hands upon them, and blessed them.”, Our vintage Print was published on January 15, 1946 by the New York Graphic Society, 300.00 [E]

Bernhard Plockhorst

(German, 1825-1907)

“Jesus Blessing the Children” - 1946

The size with wide margins is 25-7/16” x 19-1/4”, Image size is 20” x 14-1/4”

OOP (Long Out-of-Print) Vintage Mid Century 1946 ‘Large Version’ Inspirational/Religious Color Collotype Lithograph (not a more-modern print reproduction)

Vintag ultra-rare mid century litho, Excellent Rare+ condition, never framed, Copyright New York Graphic Society, Fine Art Publishers, The inventory number is, 5390, Printed in U.S.A., Jesus Blessing the Children, Bernhard Plockhorst, 1825-1907. Biblical quote (also in Spanish) which reads: The Holy Bible ? The Gospel according to St. Mark X – 15, 16: “Verily I say unto you, whosoever shall not receive the kingdom of God as a little child, he shall not enter therein. And he took them up in his arms, put his hands upon them, and blessed them.”, Our vintage Print was published on January 15, 1946 by the New York Graphic Society

300.00 [E]

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