(American, 1929-2020)

Untitled-'Geometric Design' - 1974

The Litho size itself is 9-1/4” x 8-1/2”, Framed size is 11-1/16” x 10-1/4” x 1/2”.

Limited Edition Signed & Numbered 14/50 Graphic 4-Color Lithograph

Vintage & XRare Ltd Ed Print, VeryGood-Excellent Rare+ condition, Framed, Initialed/monogrammed lower-right 'SB 74' , Inscription on verso: ‘Happy Holidays Diane + Shelly, Berlyn’

(Korean, 1937- )

"Alternation Series VIII" - 1969

The Etching paper size is 17” x 25-5/8”, Image size is 12” x 18”, Framed size is 20-9/16” x 29-5/16” x 1-1/2”

Limited Edition Signed & Numbered 8/50 Graphic 2-Color OP ART Etching

Vintage Ltd Ed Print, Excellent Rare+ condition, The Etching used to be in the collection of ‘The Arwin Galleries, Inc., 222 Grand River West, Detroit, MI’, re-framed in the last 15 years by ‘Buffalo Big Print Art Gallery & Custom Frame Shop, 78 Allen Street, Buffalo, NY’

(Serbian, 1894-1964)

“New York. Sixth Avenue near Central Park. (Café de la Paix)” - 1940

The size is 12-1/2” x 8-1/2”

Chromolithograph

Vintage mid century chromolitho, Excellent Rare+ condition, Never framed, Copyright, Trade [St.FZ Logo] Mark, Serie 1023 No. 101, New York. Sixth Avenue near Central Park. (Café de la Paix), by A. Marc, Stehli Bros., Publishers, Zurich, Printed in Switzerland – Imprimé en Suisse, The Chromolitho was published on January 15, 1940 by the Stehli Brothers.

(Serbian, 1894-1964)

“New York. Lower Manhattan. Gold Street” - 1940

The size is 12-1/2” x 8-1/2”

Chromolithograph

Vintage mid century chromolitho, Excellent Rare+ condition, Never framed, Copyright, Trade [St.FZ Logo] Mark, Serie 1023 No. 103, New York. Lower Manhattan. Gold Street, by A. Marc, Stehli Bros., Publishers, Zurich, Printed in Switzerland – Imprimé en Suisse, The Chromolitho was published on January 15, 1940 by the Stehli Brothers.

(Serbian, 1894-1964)

“New York. The Little Church around the Corner.” (Little Church of the Transfiguration NYC) - 1940

The size mounted is 12” x 8-1/2”

Chromolithograph

Vintage mid century chromolitho, VeryGood Rare+ condition, Previously framed (no frame included), back publisher info would have read: Copyright, Trade [St.FZ Logo] Mark, Serie 1023 No. 102, New York. The Little Church around the Corner, by A. Marc, Stehli Bros., Publishers, Zurich, Printed in Switzerland – Imprimé en Suisse. The Chromolitho was published on January 15, 1940 by the Stehli Brothers.

(German-Swiss, c1497-1543)

"Erasmus" - 1918

The Image size with decorative border is 13” x 11”, Plate/Chine size is 15-1/4” x 12-3/4”, Visible Opening size is 13-9/16” x 11-7/16”, Matted size is 20-1/16” x 17-1/2”

Fine Colored Chine Collé Mezzotint Engraving

Antique & XRare Mezzotint, Excellent Rare+ condition, Never framed, London Published May 1918 by H. C. Dickins, 26, Regent St. London, S.W. (For: Printer-Publisher, Harry C. Dickins, fl. 1882-1929), Copyright in U.S.A. by H. C. Dickins, 1918. Though not printed on the piece, the mezzotint was engraved by W.G. Blackall (English, 19th-20th), Matted

(Scottish, 1756-1823)

“Mrs. Urquhart” (Mrs. William Urquhart, c1796-1864) - 1926

The Image size is 14-11/16” x 11-5/8”, Plate/Chine size is 16-5/8” x 12-7/8”, Visible Mat Opening size is 16-1/2” x 12-7/8”, Matted size is 22-15/16” x 18-3/4”

Fine Colored Chine Collé Mezzotint Engraving

Antique & XRare mezzotint engraved by the well-known listed engraver/mezzotinter, ‘Jessie Rendle Furber’ (British, 1880-1966), Excellent Rare+ condition, Never framed, no publisher info printed on the piece. 'Made in England’ is stamped on verso

(British, 1759-1840)

"He Sleeps" (Alternate Title: “The Morning of Life”) - 1923

The Mezzotint image size is 14-5/8” x 11-1/2”, Plate size is 15-5/8” x 12-3/8”, Visible Mat Opening size is 15-1/4” x 12”, Matted size is 21-11/16” x 17-15/16”.

Fine Colored Chine Collé Mezzotint Engraving

Antique Xrare mezzotint, Excellent Rare+ condition, Never framed, Published 1923 by The Mendoza Galleries, 400, Oxford Street, London, W.1. Copyright, Matted.

(English, 1727-1788)

“Duchess of Devonshire” (AKA “Georgiana, Duchess of Devonshire”) - c1902

The Mezzotint full (colored) plate size is 15-15/16” x 12”, Oval image size is 13-3/4” x 11”, Visible Mat Opening size is 14-1/4” x 11-1/2”, Matted size is 20-3/4” x 17-1/2”

ENGRAVER SIGNED PROOF; Hand-Colored Mezzotint Engraving

Antique XRare Signed Mezzotint, Excellent Rare+ condition, previously framed for a short time long ago, After Gainsborough, engraved, printed & hand-signed by the famous listed master engraver & illustrator, ‘Samuel Arlent Edwards’ (English-American, 1862-1938), 'Engraved & printed in colors at [one?] printing without retouching by, S. Arlent Edwards' and 'Engraved by S. Arlent Edwards Williamsbd., N.Y., no publisher info printed on the piece, but may likely have been published & distributed through the well-known publishers, Henry Graves & Co., London (Established 1752)—best guess...'

(English, 1758-1810)

'Charlotte Duncombe (née Legge), Lady Feversham (English, 1774-1848)' - c1904

The Engraving sheet size is 15” x 11-1/2”, Image size is 13-5/8” x 11-5/16”, Visible Mat Opening size is 15-1/2” x 12-3/4”, Matted size is 23-1/16” x 19-3/4”.

Engraver-Signed Proof, Hand-Colored Stipple Engraving

Antique XRare Signed Engraving by Eugène James Tily, F.R.S.A. (English, 1870-1937) and also after the c1797 stipple engraving (in reverse) by Charles Wilkin (English, 1750-1814), Excellent Rare+ condition, matted, no publisher info printed on the piece, but may likely have been published & distributed through the well-known publishers, Henry Graves & Co., London (Established 1752)—best guess..., Charles Wilkin’s stipple engravings were included in the portfolio series, 'Ladies of Rank and Fashion', a series of ten plates, eight of them after Hoppner, published 1797 by Charles Wilkin, Eaton Street, Pimlico.

(English, 1758-1810)

“Lady Charlotte (Percy), Countess of Ashburnham (1776 – 1862). 2nd wife of George, 3rd Earl of Ashburnham; daughter of George, 5th Duke of Northumberland” (AKA “Lady St. Asaph”) - c1904

The Engraving sheet size is 15” x 11-7/16”, Image size is 14-1/8” x 11-1/8”, Visible Mat Opening size is 15-1/2” x 12-3/4”, Matted size is 23-1/16” x 19-3/4”.

Engraver-Signed Proof, Hand-Colored Stipple Engraving

Antique Xrare signed engraving by Eugène James Tily, F.R.S.A. (English, 1870-1937), and is also after the 1797 stipple engraving by Charles Wilkin (English, 1750-1814), Excellent Rare+ condition, no publisher info printed on the piece, but may likely have been published & distributed through the well-known publishers, Henry Graves & Co., London (Established 1752)—best guess..., Charles Wilkin’s stipple engravings were included in the portfolio series, 'Ladies of Rank and Fashion', a series of ten plates, eight of them after Hoppner, published 1797 by Charles Wilkin, Eaton Street, Pimlico.

(English, 1734-1802)

“Lady Day” (AKA Real Title: “Lady Benedetta Day” [Mrs. John Day] or “Miss Benedetta Ramus”) - 1910

The Engraving plate size is 13-3/4” x 11-1/8”, Image size is 11-7/8” x 9-15/16”, Visible Mat Opening size is 13” x 10-38”, Matted size is 19-1/2” x 16-3/8”.

Engraver-Signed Proof, Fine Colored Chine-collé Mezzotint Engraving

Antique Xrare signed mezzotint by Richard Smythe (English, 1863-1934), BelowGrade Rare+ condition, Never framed, Copyright 1910 James Connell & Sons, Publishers, 47, Old Bond Street, London & 31, Renfield Street, Glasgow., Printsellers’ Association oval blindstamp with the Ltd. Ed. Code Letters ‘IP’ printed in center lower-left (Unknown Edition quantity),

(British, 20th C.- )

"Paris" - Circa Late 1950s-1960

20” x 16”

OIl on stretched canvas

Signed lower right

(French, 1908- )

“Sunny Spain” - Circa Mid-Late 1950s

20” x 16”

Oil on stretched canvas

Vintage mid century painting, Excellent+ Rare++ condition, previously framed (no frame included)

(Italian, 1907-)

"Paris" - Circa Mid-Late 1950s

20” x 16-1/16”

Oil on stretched canvas

Vintage mid century painting, Excellent+ Rare++ condition, previously framed (no frame included)

(Italian, 20th C.- )

Untitled-'Old Master Style Floral Still Life' - Circa Mid-Late 1960s

20” x 15-15/16”

Oil on stretched canvas

Vintage signed painting, Excellent Rare++ condition, Never framed, New/Old Stock

(French, 1910- )

"Paris" - Circa Mid-Late 1950s

16” x 20”

Oil on stretched canvas

Vintage signed painting, Excellent+ Rare++ condition, previously framed (no frame included)

(German/Austrian?, 20th C.- )

Untitled-'Floral Still Life' - Circa Mid-Late 1970s

20” x 16”

Oil on stretched canvas

Vintage signed painting, Excellent+ Rare++ condition, previously framed (no frame included)

(Italian, 1907-)

“Paris at Nite” - Circa Mid-Late 1950s

20” x 16”

Oil on stretched canvas

Vintage signed painting, Excellent+ Rare++ condition, Never framed, New/Old Stock

(American, Aug. 16, 1896-Aug. 23, 1965)

"The Road Home" (AKA “The Road Home (Vermont)”) - 1948

The Wood-Engraving Image/Plate size is 5-1/8” x 9”, Visible Mat Opening size is 5-9/16” x 9-3/8”, Framed size is 12-5/16” x 15-5/16” x 3/4”.

Ltd. Ed. (Ed. 250) Signed Wood-Engraving

Vintage XRare Mid Century Signed Wood-Engraving, Archivally Matted & Framed, Excellent+ Rare+ condition, The artist's pencil-signed signature appears lower-right in the outer margin corner; The artist's printed initials/monogram, ‘AC’, appears lower-left in the plate corner. The Wood-Engraving was published by the Associated American Artists (AAA), 711 Fifth Avenue, NYC, circa 1948.