(Scottish, 1842-1923)

“Amalfi.” The Pearl of the Mediterranean - 1906

The size with margins is 24-1/2” x 29”, Etching image size is 19-1/2” x 24-1/4”

Artist/Etcher Signed Color Etching

Antique etching, Excellent Rare+ condition, Never framed, Etched by C.O. Murray, R.P.E. (Royal Society of Painter-Etchers), Copyright 1906, by C. Klackner, 7, West 28th St. New York, Berlin, Stiefbold & Co. Published by C. Klackner, 12, Haymarket, London.

(French, 1876-1940)

“l’Heure Ardente” (“The Ardent Hour” Jardin du Palais d’Hydra, Alger) - 1922

The size with margins is 23-7/8” x 33”, Plate Size is 18-3/4” x 25-1/4”, Etching image size is 16-1/2” x 23-1/4”

Artist/Etcher Signed Ltd. Ed. (# 136) Color Aquatint Etching

Vintage aquatint etching, Excellent Rare+ condition, Never Framed, Copyright 1922 by Hautecœur fres. & Cie., Imp. Leblanc & Trautmann, Stamp- Cercle Librarie Estampes with 'RTK', 'HF #16'

(French, 1876-1940)

“La caravane dans le désert” (“The caravan in the desert”) - 1925

The size with margins is 24-3/4” x 35-1/4”, Plate Size is 19-5/8” x 33-1/2”, Etching image size is 18-1/2” x 22-9/16”

Artist/Etcher Signed Ltd. Ed. (42/310) Color Aquatint Etching

Vintage aquatint etching, Excellent Rare+ condition, Never Framed, Copyright by “Galerie Lutetia” 44, rue N. D. des Victoires, Paris–1925, 42-310, printed by ‘Manuel Robbe’ (French, 1872-1936), of Manuel Robbe & Fils, and his watermark ‘M. Robbe Fils’, is also on the paper itself

(Czech-Austrian, 1881-1942)

“Wien: Karlskirche” (“St. Charles Church, Vienna”) - c.1920

The size with wide margins is 35” x 25-7/8”, Plate Size is 23-3/4” x 20-1/2”, Etching image size is 22” x 19-5/8”

Artist/Etcher Signed Color Aquatint Etching

Vintage aqautint etching, Excellent Rare+ condition, Never framed, inventory number ‘S101’

(French, 1867-1932)

“Eglise St. Etienne du Mont, Paris” (“Church St. Stephen of the Mount, Paris”) - 1914

The size with wide margins is 33-5/16” x 25-1/4”, Image/Plate Size is 23-1/2” x 18-5/8”

Artist/Etcher Signed Ltd. Ed. (195/250) Color Aquatint Etching

Vintage aqautint etching, VeryGood-Excellent Rare+ condition, Never framed, blindstamp initials ‘CP’, edition number 195/250

(English, 1835-1892)

“Young Freebooters” - Circa 1970’s-80’s

The size with wide margins is 35-3/4” x 27”, Plate size is 28” x 21-5/8”, Image size is 22-3/4” x 18-5/16”

Hand-Colored Contemporary Restrike Intaglio Engraving

After Samuel John Carter, Excellent Popular condition, Never framed, Published by Thomas Ross Collection, Berkshire, England. original publisher info from the Restrike reads, ‘London Published February 13th 1882 By G.P. Mc. Queen, 70, Berners Street, Oxford Street.’, printer’s info. ‘Verlag Von Stiefbold & Co. Berlin.’, with ‘Saml. Carter.’ and the date ‘1880’, ‘Painted By Samuel Carter’, and ‘Engraved By Alfred Lucas’

(English, 1856-1916)

“Mischief” (AKA “Three Girl’s Heads”) - Circa 1970’s-80’s

The size with very wide margins is 23” x 33-1/4”, Plate size is 18-1/4” x 28-3/4”, Image size is 15-3/8” x 26-3/4”

Contemporary Restrike Intaglio Hand-Colored Photogravure

After Thomas Benjamin Kennington, Excellent Popular condition, Never framed, Published by Thomas Ross Collection, Berkshire, England. The original publisher info from the Restrike reads, ‘London, Published 1st February 1894, by Leggatt Brothers, 62, Cheapside, Copyright Registered by the British Art Publishers Union Limited, New York.’, ‘Heliogravure Hanfstaengl, Munich.’, and ‘Painted by J.B. Kennington’ (Should be ‘T.B.’)

(English, 1810-1850 & 1811-1874 respectively)

“The Pytchley Hunt, The Crick Meet” - c. late 19th C./Early 20th C.

The size with wide margins is 25-7/8” x 35-5/8”, Plate size is 20-7/8” x 32”, Image size is 16-7/8” x 29”.

Antique/Vintage Restrike Hand-Colored Chine Collé Aquatint Mezzotint Engraving from original 1852 plate

Fine hand-colored later impression, Excellent Rare-Rare+ condition, Never framed, Published by Thomas Ross Collection, Berkshire, England. original printed text was burnished off but a little text is still barely visible in a few spots to include the original engraver’s name 'W.T. Davey', and ‘Painted by W. & H. Baraud’, Other original text would have read: Published by Henry Barraud, 79, Park St., Grosvenor Sqre. London 9th. March 1852'.

(American, 1905-1932)

“Liberty Enlightening the World” - Circa 1905-Early 1910’s

The size with small margins is 21-5/16” x 30”, Image size is 19-3/16” x 28”

Photochrom Chromolithograph

Antique Photochrom after Frédéric Auguste Bartholdi (French, 1834-1904), Excellent Rare+ condition, Never framed , Copr. Detroit Publishing Co., F. Auguste Bartholdi, Sculptor, Presented By France To The United States

(German, 1895-1977)

“Rehbock” (AKA “Roe Buck” or “Roebuck”) - Circa 1920’s-30’s

The Etching size with wide margins is 21” x 17-1/8”, Etching Image/Plate size is 16-1/2” x 12-5/8”, Matted size is 25” x 20”, Visible Opening size is 18-5/16” x 13-7/8”

Artist Signed Copper Plate Aquatint Drypoint Etching in Colors

Vintage etching, Excellent Rare+ condition, never framed (Not a Modern Restrike and/or Estate-Signed Etching [Nachlass]), Franz Hanfstaengl Fine Arts Publishing House, Munich, Germany, embossed circular stamp ‘Hanfstaengl Druck’ appears lower left, inventory number, ‘#93’

(American, 1913-2006)

“J + L and the River” (Jones & Laughlin Steel Corporation, Pittsburgh, PA)

Artist Signed Ltd. Ed. (Ed. 100) Serigraph in 22-Colors

Rare Mid Century signed serigraph, scene of the Jones & Laughlin Steel Corporation on the Monongahela River, Pittsburgh, PA, Excellent Rare+ condition, Framed & Matted, J + L and the River 64/100

(American animation & toy companies)

“#450 Donald Duck Choo-Choo” (1940) - c.1940

The size with margins is 10” x 8-3/8”, Image size with small ink border line is 8-5/16” x 6”

Original concept production art painting, watercolor/gouache & ink on ‘Yankee Drawing Board’ (illustration board)

Vintage & Ultra Rare WWII Era concept art for the original pull-toy's double-sided lithographic art (Old Litho Version), Good-VeryGood Rare++ condition, previously framed but now loose, Walt Disney Property Stamp ‘Property of Walt Disney Productions, Not To Be Used Without Permission’, letter notation on verso ‘882 F’, ‘© 1940 Walt Disney Productions’

(American animation & toy companies)

“#744 Doughboy Donald (and Pluto)” (1942) - c.1942

The size with margins is 8-1/8” x 12”, Image size 5-1/8” x 7-5/8”.

Original concept production art painting, watercolor/gouache & ink on illustration board

Vintage & Ultra Rare WWII Era concept art for the original pull-toy's double-sided lithographic art featuring 'Pluto' only, Good-Rare++ condition, Previously framed but now loose, Walt Disney ‘Property’ stamp on verso reads: ‘Property of Walt Disney Productions, Not To Be Used Without Permission’, hand-drawn number & letter notation on verso ‘883 K’ (similar to other pieces), Disney label ‘Walt Disney Productions’, Other text: ‘Strip in’ (underlined twice) as appears lower left under the label which has an arrow pointing to the angled text, ‘on PLUTO see tracing’, lower left, and ‘ACTUAL SIZE’, lower middle, and ‘F.A. #4299’

(American animation & toy companies)

“#544 Donald Duck Cart” (1942) - c.1942

The size with margins is 8-7/8” x 11-5/8”, Image size is about 5-5/8” x 6-5/8” (not including crop-marks)

Original concept production art painting, watercolor/gouache & ink on illustration board

Vintage & Ultra Rare WWII Era concept art for the original Easter pull-toy, Fair-Good Rare++ condition, previously framed but now loose, hand-written in ink notations to include: ‘Quack! Quack! Quack!’ as well as movement dashed-lines to show how Donald’s arm’s moved up & down

(American Toy Company, 1930-Present)

“#161 Looky Chug-Chug” (1949) - c.1949

The size with margins is 8” x 14-1/4”, Image size including detail view of its face is about 4-3/8” x 10-1/16” (not including crop-marks)

Original concept production art painting, watercolor/gouache & ink on heavy ‘Hi-Art’ artist illustration board

Vintage & Ultra Rare Mid Century concept art used to help produce the actual wooden pull-toy from 1949, VeryGood Rare++ condition, Previously framed but now loose, hand-written in ink notations to illustrate the toy’s concealed ‘Chug Chug’ sound, the ‘Bell Ringer’ with dashed-line to show movement for the bell sound ‘Ding Dong’ and dashed-line for bell movement, and dashed-lines to show the movement of the eyes ‘Up & Down’ while the toy was being pulled, typical hand-drawn crop-marks which are usually for printing purposes, as well as nine affixed little rectangular pieces of cellophane-like taped & painted white-line crop-marks individually placed around the locomotive in key spots, couple hand-written in pencil size notations in the outer margin areas for the toy

(American Toy Company, 1930-Present)

“#499 Kitty Bell” (1950) - c.1950

The size with margins is 8-7/8” x 13-1/4”, Image size is about 5-1/8” x 5-7/8” (not including crop-marks)

Original concept production art painting, watercolor/gouache & ink on heavy ‘Hi-Art’ artist illustration board

Vintage & Ultra Rare Mid Century concept art used to help produce the actual wooden pull-toy from 1950, VeryGood-Excellent Rare++ condition, Previously framed but now loose. The freelance artist & inventor of the toy was Frederick E. Seyfarth (American, 1916-2002), hand-written in ink notations to illustrate the toy’s ‘Ding Ding’ sound, the ‘Ball’ with dashed-line to show rotation movement, and dashed-lines for the movement of the Kitty’s arms while the toy was being pulled, and typical hand-drawn crop-marks which are usually for printing purposes.

(American Toy Company, 1930-Present)

“#755 Jumbo Rolo” (1951) - c.1951

The size with margins is 10-5/8” x 14”, Image size is about 5-1/2” x 6-1/2” (not including crop-marks)

Original concept production art painting, watercolor/gouache & ink on heavy illustration board

Vintage & Ultra Rare Mid Century concept art used to help produce the actual wooden pull-toy from 1951, freelance artist & inventor of the toy was Frederick E. Seyfarth (American, 1916-2002), his address on verso ‘F. E. Seyfarth, 2133 Ridge Ave., Evanston, ILL.’, Fair-Good Rare++ condition, Previously framed but now loose, hand-written in ink notations to illustrate the toy’s arm & leg movements as well as the ball rattle effect with ‘action spikes’, while the toy was being pulled, typical hand-drawn crop-marks which are usually for printing purposes.

(American Toy Company, 1930-Present)

“#466 Busy Bunny Cart” (Easter, 1941) - c.1941

The size with margins is 6-1/4” x 12-15/16”, Image size of complete illustration is about 5-1/8” x 11” (including Bunny, Legs & text)

Original concept production art painting, watercolor/gouache & ink on illustration board

Vintage & Ultra Rare WWII Era concept art for the original pull-toy's double-sided lithographic art for the Easter Bunny, Fair Rare++ condition, previously framed but now loose, Bunny & his legs as separate illustrations. There's hand-written in ink notations to include the text, ‘Actual Size’, the number of the toy ‘#466’, and the ‘Trade Mark’ box with ‘Made in U.S.A.’, and ‘Use Small To Appear As Shown In Layout’ (with arrow), hand-written in pencil number notation on verso ‘884 R’ (like other similar pieces)