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Thomas Kegler
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Gustav Aboltin
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East Aurora Art Walk
The Living American Art, Inc., 55 5th Ave., New York
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Julius Bien
Thomas Blinks
M. Henry Bonnefoi
Anatol Bouchet
John Brach & Sean Witucki
McLoughlin Brothers, NY
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Frances Brundage
Samuel John Carter
Detroit Publishing Co. (AKA Detroit Photographic Co.)
Holmes Company, Inc., Chicago, IL [for Guy B. Holmes]
Jean-Baptiste-Camille Corot
Luigi Corti
Alice Cranston Fenner (of Artyle Studios)
E. Conyne Daly
Leon Emile Fernand Danchin
Tano de Simone
Walt Disney Company
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Josef Eidenberger
E. Hedley Fitton
Myles 'Birket' Foster
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Elaine Grisanti
Charles Wesley Haist
William Harring Von Ammon (AKA William Harring)
Karl Herzog
Mindy Hesslink
Curtis & Cameron, Inc., Boston, MA & NYC
Colegrove Bros., Inc., Publishing-Buffalo, NY
Reproducta, Inc.-Publishers
Willy Jäger (AKA Willy Jager)
Dennis Barraclough & James Vullo (1914-1999)
Lawrence Josset
Sarita Kennedy Arden
Joseph Keppler, Jr. (AKA Uto J. Keppler)
Michael Killelea
Alonzo Kimball
Willy Köchler
Karoline Korössy (Korossy)
L. Kreitz
Western New York Land Conservancy
Maria Laurendi
Sir Thomas Lawrence, PRA, FRS
Le Roy
Sir Frederick Leighton, PRA
Bernard Lignon
Ivan Lindhé
Niagara Lithograph Co.
Gray Lithographic Co., NY
Antonio Lonza
Mario Mariani
V. Mariani
G. Mariani
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Mill Road Scenic Overlook
Roderic Montagu O'Connor
Geoff Mowery
G. Nasi
Byron Glee Newton
Cindi O'Mara
Emanuel Oberhauser (or Emmanuel Oberhauser)
Susan Z. Ott
Hickok & Pate, NY
Henry Greenwood Peabody
Ruth Carolyn Percival
Laura Perillo
Columbia Pictures Corporation
Peter Potter
Taber Prang Art Co.
Sherrill Primo
GG Co. Publishing
Hatcher Publishing Co. (AKA Hatcher-Fagin Pub. Co.)
Aldo Rando
H.W. Ranger
Joanna Ransom
National Remembrance Shop, Washington, DC
Review of Reviews Company, NY
Inge Riches
John A. Ruthven
F. Schenkel
Kath Schifano
Pieter Hendrik Schor
Tavik Frantisek Simon
Buffalo Society of Artists
Norine Spurling
Frederick A. Stokes Company
Artyle Studios (also Cranston-Fenner Studio)
Thomas Sully
Ivor I.J. Symes (AKA Ivor Isaac John Symes)
M.F. Tobin Litho, NY, U.S.A
Raphael Tuck & Son's Publishing
G.J. Unknown
George Frederic Watts
Kathy Weber
Joseph Quinn Whipple, Sr.
James A. McNeill Whistler
Alfred Wierusz-Kowalski
Judy Winklhofer
Milo Winter
John Witcombe
WNY Members of the National Collage Society
Thomas Waterman Wood
Lee Woodward Zeigler
Owen Cullen Yates
Frank C. Eckmair
Frank C. Eckmair (American, 1930-2012) noted artist, printmaker, wood engraver, illustrator and teacher was born June 21, 1930 in Norwich, NY, to parents Frank and Gladys (née Cornwall) Eckmair. He lived most of his life in central New York and spent his early years drawing and working at his father’s hotel in Gilbertsville, a small village in Otsego County, west of Cooperstown. He earned a Bachelor of Arts degree from the State University of Iowa in 1953, where he studied with fine arts with Mauricio Lasansky, who is considered to be the “Father of 20th-Century American Printmaking.” After teaching public school in Otsego County, Eckmair served in the U.S. Air Force in Korea, Japan, and the northwestern United States. After returning from military service, he received a Master of Fine Arts in printmaking from Ohio University in 1962.

During his time at Ohio University, he met and married Leigh Chadwick. While in Ohio, he developed his passion for printmaking and ceramics. In 1963, the couple moved to Buffalo, where Eckmair became a professor at Buffalo State College. From 1963-1995, he was a revered teacher at Buffalo State College, where he influenced a generation of artists, many of whom became close friends. In Buffalo, he was instrumental in establishing Buffalo Prints and Paper. He assisted many other colleges in establishing their own hand made paper mills, widely lecturing and demonstrating the techniques. He was called upon by the Organization of American States to organize a paper mill in Costa Rica, where he also taught the theories and skills to professional artists from 14 member nations.

His work received its earliest recognition through American Associated Artists (AAA), a program founded to market affordable fine art prints to the American public, and was also the recipient of eleven grants and fellowships. Like earlier artists such as Grant Wood, John Steuart Curry, and Thomas Hart Benton, Eckmair created prints of regional landscapes for AAA that had great populist appeal. Most recently, Eckmair's work was showcased in a year long retrospective, one man exhibit at the New York State Museum, "The Landscape of Memory." The show ran from November 19, 2010-October 15, 2011, and was held at the Museum’s Crossroads Gallery.

“Eckmair's command of both media is always present, but he doesn't make a fetish of it - on the contrary, he tends to use only just as much technique as is necessary to get his point across; the rest of his attention goes to making the design just right. This is accomplished through a deceptive ease with the language of shape, color and contrast, and is especially effective in his use of white space.”

Officially retiring from teaching in 1995, Eckmair focused his time on his own "work," continuing to draw, carve, print and exhibit. He was also the artistic director of Birch Book Press since 1997, a publisher of hand-crafted letterpress books and art in Dehli and was responsible for many wood engravings and illustrations in many of their books and publications.

Considered a master of the woodcut, Eckmair created haunting works evoking rural life in upstate New York, and his woodcut Property Line was used to illustrate Robert Frost’s poem “Mending Wall”, by St. Lawrence Un. Press. His works are in numerous collections to include; the Smithsonian Institute, the Metropolitan, Detroit Museum, Boston Library, the British Museum, Whitney Museum of Art, Achenbach Foundation for Graphic Art, Seoul National Museum, Butler Institute of American Art, the Museo de Arte Costarricense, Pushkin Museum, Vatican Library, Glenbow Museum and others around the world, as well as in more than 200 private, college and university collections. He exhibited worldwide at major national and international shows from the United States, to England, Japan, as well as Russia, Korea, Costa Rica and Latvia. He has also had several solo exhibitions in New York City, Ohio and South Carolina, and has won numerous awards & prizes for his work from the Cooperstown Art Association, the Central Illinois Exhibition, the Shelbourne Art Association, the Springfield Art League, and the Huntington 180 Exhibition in West Virginia.

Eckmair died at his home in Gilbertsville, NY, on Sunday, February 12, 2012 at the age of 81. At the time of his death, he was working on several major projects when he wasn't feeding the squirrels or the neighborhood dogs, or having coffee at John's store. He could always be counted on to help out with art work or design projects for school or community organizations.

There is a wonderful video on Youtube from a 2010 interview with Frank C. Eckmair where he explores his background, influences, and how his work interprets the landscape of central New York. Examples of his work from the exhibit “The Landscape of Memory” are featured. Click here.

For additional information on this artist or for other possible examples of his works, please visit the AskArt link

(Rewritten in parts and compiled in parts by Mark Strong of Meibohm Fine Arts, Inc.,, Sources: With permission from, biographical information from their research and archives;, Daily Star, "Frank C. Eckmair", February 15, 2012;; “Frank C. Eckmair”;, biographical information and quote from, “The Landscape of Memory: Prints by Frank C. Eckmair at NYSM”, by David Brickman, Saturday, May 21, 2011; Youtube, video. “The Landscape of Memory – Prints by Frank C. Eckmair”, posted by NYS Museum, January 20, 2011; Associated American Artists, brief biographical information, 663 Fifth Avenue, NYC.)